1989 Hawk & Dove v3 ongoing series

[The Hawk & Dove v3 ongoing series is a bit of an anomaly as it is part of the late 80s/early 90s "lost DC" (usually lumped somewhere with the last issues of Gerard Jones' El Diablo, Roger Stern's Starman, or Joey Cavelieri's Huntress) — all this to say that we know it exists, it's just not very talked about or referred to as anybody's favorite comic book series. I had no clue why it had earned that rep (possibly something to do with DC's 1991 Armageddon 2001 event?), so I kept as opened-minded as possible while reviewing this.]

Hawk & Dove v3 picks up where the 1988 Hawk & Dove v2 mini-series left off; Hank Hall and Dawn Granger, upon discovering that they're agents of Chaos and Order, reluctantly team-up to become a super-powered crime-fighting duo based out of Washington, DC.

As far as picking up where things left off, Karl Kesel and Barbara Kesel are still the writers for this series, Mike Carlin is still editing, but Rob Liefeld is NO longer illustrating (by this point he was penciling for Marvel Comics). Greg Guler is now handling penciling chores on this title. Hawk & Dove v3 would be one of Guler's longest assignments for DC comics.

Since their debut in the 1988 mini-series, Hawk and Dove have participated in the 1988 Invasion! cross-over event and seemed to have grown more comfortable with each other (as far as operating as a team). Something that immediately caught my eye in the first issue were a few flashback panels in which Hawkman and Hawkgirl make small-talk with Dove during Invasion!. This seemingly innocent gesture turns way more sinister when it's revealed a few years later in Hawkworld that the Hawks in these panels were actually TRAITORS. More on that some other time.

The flashback sequence with Hawk and Dove meeting up with the other heroes from Invasion! re-affirmed to readers that the duo was part of the larger DCU. [...and it additionally gave me the hope that we were going to see a lot of interaction with the other DCU heroes throughout this series.] As of the first issue of this ongoing series, I was still undecided if Hawk and Dove were interesting enough to carry their own series or if it would require lots of guest appearances and cameos to keep me looking forward to the next issue.

This series wastes no time and quickly establishes it's own set of antagonists for Hawk and Dove (two new villains within the first issue) and re-introduces the college-aged supporting cast from the 1988 mini-series. Also re-introduced are the Washington Special Crimes Unit (SCU) (from the mini-series) who, around mid-way into the series, would gain more members and start to play a bigger role in the book.

One of the biggest strengths of this series was it's writing - namely it's characterization of the title characters and the supporting cast. Don't get me wrong - there's a nice mix of plot development and bare knuckle brawling action, but Dove is an interesting character and her relationship with Hawk (and any perceived romantic tensions) is something that keeps you turning the pages. The new Dove's guilt about becoming an agent of Order at the expense of Don Hall (the former Dove) is another theme that is explored and resolved within the first 5 issues. The Kesels gave a lot of attention to character development, and you can see that as the series progresses. Hawk and Dove having a college-aged support cast means that there's plenty of opportunity to have sub-plots about young adult stuff like relationship drama, finding your place in the world, and more relationship drama.

Hawk & Dove v3 #8

The first half of this series has the duo battling new villains (i.e. Barter, Gauntlet, Azure, Sudden Death, M.A.C., Scarab, and Shellshock) and a few C-rate villains that have been out of circulation for a while (i.e. Copperhead, the Untouchables/Intangibles, Flaw and Child), while trying to uncover the mystery of their origins and their grand purpose as agents of Order and Chaos. Admittedly, uncovering who and what Hawk and Dove actually are is an engaging mystery and keeps the story interesting.

Hawk & Dove v3 #13 - Dove bleeds light?

Mike Carlin edited the first four issues of this series (sometimes with Jonathan Peterson), and by issue #5 Michael Eury joined Carlin to become the editorial team.  As of issue #10, Eury became the solo editor on the title. In an interview with Bill Walko from the Titans Companion (published by TwoMorrows in 2005), editor Jonathan Peterson disclosed that "[...] Dick Giordano decided to give me the Titans, which at the time was being handled by Mike Carlin. Mike needed more time on his hands to handle the Superman books, and as a footnote, Mike had inherited them from Barbara Kesel, who had left DC’s staff to go freelance when she married Karl Kesel."

The first year of the series ends with the resolution of a plot line that started all the way back in issue #1 and a team-up with the Teen Titans. Hawk and Dove joining forces with the Teen Titans (now renamed to the New Titans) is something that readers had been requesting since the beginning of the series - and I'm a little surprised that it didn't happen prior to issue #11 (considering Barbara Kesel's previous experience as an editor on Tales of the Teen Titans, New Titans and Teen Titans Spotlight). Hawk being a former member of the Teen Titans was a huge selling point for the series, and fans anxiously wrote in wondering if Hawk and the new Dove were going to rejoin the team. (Bette Kane (aka 'Flamebird' from Titans West) is mentioned in issue #3. Nightwing is referenced in issue #5.) While the Kesels weren't shy about name-dropping other DC characters in the series, I get the gist that they were trying to carve out a separate world for Hawk and Dove.

Unlike the original 1968 Hawk & Dove ongoing series, there isn't much 'politicking' between the duo in this series (Hank and Don Hall spend most of the original series squabbling over who's political views are more correct) — most of the focus is on the Chaos and Order properties of the characters. A few Chaos and Order associated characters appear in this series: Flaw and Child (from Amethyst v2), Kestrel (from the 1988 mini-series), T'Charr, Terataya and M'Shulla. When a reader commented on this in the letter column of issue #11, the Kesels reply with:

Issue #15 has Hawk & Dove visit a far-away mystical land called Druspa Tau, and suddenly this title turns into a Sword & Sorcery comic book. [I was initially worried this series was going to pull a "Sword of the Atom" and suddenly change genres. Thankfully, this only lasted a few issues, and Hawk and Dove go back to the modern-day DCU by issue #18.] What's interesting to note is that Barbara Kesel Randall had just began writing for three TSR titles around this point (i.e. TSR Worlds, Spelljammer and Avatar), which borrow heavily from the Sword & Sorcery genre.

I'm not 100% sure on this, but I think this was the first mention of the geographical region Druspa Tau in the DCU. My best guess is that it was part of Amethyst's Gemworld, the dead give-away being the appearance of the Amethyst villains Child and Flaw during the course of the story. [Starting with 1987, Amethyst v3 was one of the titles that got swept up into the Chaos and Order mythos.] Their adventures on Druspa Tau reveal the origin of Hawk and Dove's powers, and confirms that they are the last incarnations of Hawk and Dove and will never have successors. Karl Kessel explained the reasoning for this in his foreword to the 1993 Hawk & Dove TPB:

"Mike Carlin’s one worry about the new Hawk and Dove was that if either one died, the voice(s) could easily replace them. This isn't good in comics. It led Barbara to create the star-crossed lovers M’Shulla and T’Charr and, eventually, to a pivotal story in the HAWK & DOVE monthly series establishing Hawk and Dove as the last of their line."

After Hawk and Dove's mysterious origins had been explained, editor Michael Eury left the series after issue #17 and Johnathan Peterson would remain the sole editor until the bitter end (issue #28).

Prior to Eury leaving the series, Hawk & Dove v3 Annual #1 (which fell somewhere between issues #17 and #18) saw publication. This Annual was a treat to Titans West fans, as it featured the first REAL Titans West reunion since 1989's New Titans #56 and the first REAL story of the post-Crisis Bette Kane as Flamebird. (Beast Boy/Changeling was not in the Annual, as he was being used in Marv Wolfman's New Titans at the time. Instead he was replaced by Dial H for Hero's Chris King.)

Titans West (created by Bob Rozakis and Don Heck) was a Teen Titans spin-off team introduced in 1977's Teen Titans v1 #50 that, due to one reason or another, never seemed to have gained enough traction to merit its own series. A Titans West series is something readers have been requesting since the Marv Wolfman and George Perez' New Teen Titans saw print in the early 80s. The 1986 Teen Titans Spotlight On... series just added more fuel to the rumors and readers suspected DC editorial was just 'testing the waters' to see if there was enough interest in a Titans West book. There was even talk in the late 1980s of Wolfman creating and writing the series, and then it was strongly hinted that Perez himself would be writing it. Needless to say, there was NEVER a modern day Titans West series. Hawk & Dove v3 Annual #1 was the closest thing Titans West would get for a modern day story. (Note: Titans West member Golden Eagle was killed during Titans Hunt nearly a year later.)

Hawk & Dove v3 Annual #1 (1990) was an exceptionally good story with a more 'grown up' version of the Titans West and plenty of previously forgotten DC villains for them to fight against. Dave Hoover and Tom Artis pencilled this annual, while Will Blyberg and Bill Wray inked. Rob Liefeld penciled the cover of this annual (with inks by Karl Kesel), which appeared to be based on an early Hawk & Dove portrait Liefeld had illustrated (also generously included as a pin-up in this annual).

Liefeld's (albeit limited) involvement in this annual was kind of 'full circle', as Liefeld was a big fan of the Teen Titans and had even proposed a new Teen Titans spin-off series [suggested title: Titans Force] in the early 90s that never saw realization. I often like to imagine how the early 90s comic book landscape would've been altered had Liefeld written and illustrated a Teen Titans book. Maybe the 90s would've seen a flood of Teen Titans spin-off titles on the shelves [Titans Force, Titans Unlimited, Teen Titans Adventures, Teen Titans: The Early Years, Nightwing and the Teen Titans, Titans Factor, etc...] and Marvel's X-Men would've only been contained to one or two books? The possibilities.

Starting with issue #18 (and Peterson taking over editorial control of the book), Hawk and Dove gain new powers (Hawk is now super-strong and invulnerable, while Dove gains the power of flight) and there's also the hint of a romantic connection between the two. Around this time, Peterson was also editor for New Titans and Deathstroke: the Terminator, and it would seem that this was the duo's chance to finally get absorbed into the Teen Titans' universe. Now that the mystery of their origins is resolved, we start to see them meet up with other heroes of the DCU.

Issues #18 and #19 were a nice two-part salute to Steve Ditko: Hawk & Dove (originally created by Ditko) team up with the Creeper (created by Ditko) to battle the Mad Men (also created by Ditko). Punch and Jewelee (created by Ditko) also make an appearance. This team-up was actually the winning result of a contest announced in issue #10 (by editor Michael Eury) encouraging readers to submit names of DC heroes or villains who should guest star in an issue of Hawk & Dove v3. The character(s) had to have had appeared at least once in a DC comic book and couldn't be from a licensed book (Star Trek, Doc Savage, Dragonlance, etc). The winner would get a page of original splash page art from the comic they appear in. Punch and Jewelee had appeared earlier that year in the pages of Suicide Squad, and the Mad Men were last seen in Blue Beetle v1 #23 (1988). The Creeper wasn't appearing that often in the DCU (last seen in 1989's Justice League International) — which I felt was a waste of a good character. The Kesels managed to capture the absurd dual nature of the Creeper/Jack Ryder in this story. This was an excellent Creeper story.

Hawk & Dove v3 #18

There were a few filler issues (issue #20 and #21) before the last big story arc we're going to cover in this article. [Contributing editor Rob Perry suggests keeping issues #25 to #28 (along with Hawk & Dove v3 Annual #2) as a separate post, so that's what we're going to do.] Hawk & Dove v3 #20 was a solo Dove story pencilled by Kevin Maguire and inked by Dick Giordano, and Hawk & Dove v3 #21 was a story introducing a bunch of new Female Furies to the DCU (pencilled by Steve Erwin and inked by Scott Hanna). Steve Erwin, who was illustrating Checkmate!, Deathstroke: The Terminator and New Gods (all edited by Peterson), may have picked up this pencilling assignment as a favor to Peterson (who was editing Hawk & Dove v3 at this time as well).

Kevin Maguire and Dick Giordano's solo Dove story (Hawk & Dove v3 #20)

Issues #22 to #24 are a follow-up to a Batgirl story Barbara Kesel wrote in 1982. The Velvet Tiger (created by Barbara Kesel and Trever Von Eeden) first appeared in Detective Comics v1 #518 as a computer savvy villainess who stole her brother's computer program with the intention of wreaking havoc on Gotham City. Her brother thwarts her capture by Batgirl, and the two-part story concludes with the Velvet Tiger proclaiming a "I swear I'll get you" and that's the end of that. Flash forward to 1988 and Alan Moore's Batman: The Killing Joke leaves Barbara Gordon paralyzed from the waist down. Barbara Kesel was not terribly impressed with this development of the character (Barbara was actually hired by DC comics in the early 80s because of a letter she wrote to Dick Giordano suggesting how to write better female characters), and quickly devised ways to get Barbara Gordon back into action. Not long after Barbara Gordon had been shot and paralyzed, Kim Yale and John Ostrander (writers of Suicide Squad) had introduced a character named 'Oracle' into the series who was providing information to Task Force X to assist them on missions. About a year after Oracle's introduction, in Suicide Squad v1 #38 (1990), it was revealed that Oracle was actually Barbara Gordon.

Hawk & Dove v3 #24 - Greg Guler pencils, Scott Hanna inks 

Hawk and Dove teaming up with Barbara Gordon/Oracle to battle Velvet Tiger is pretty significant as it has Barbara Kesel writing Batgirl/Oracle/Barbara Gordon again. If Barbara Kesel Randall should be known for anything, it's for writing intelligent and interesting female characters. Hawk and Dove would become members of Oracle's Birds of Prey in 2010.

Something noteworthy is that a few new villains created for and introduced in this series found life in the DCU afterwards:

• Sudden Death (introduced in issue #5 and created by the Kesels and Chris Wozniak) appeared numerous times in other DC titles (ex: Suicide Squad, Darkstars, Birds of Prey) afterwards, usually as a member in a gang of super-villains.


• Most of the new Female Furies introduced in issue #21 (created by the Kesels and Steve Erwin) found themselves in either Superboy v4 or Guardians of Metropolis (both written by Karl Kesel), or in various Teen Titans/Fourth World related titles.

Hawk & Dove v3 #21 - cover illustrated by Steve Erwin and inked by Karl Kessel

Prior to writing this ongoing series, Karl Kesel was the main inker for Amethyst v2, Suicide Squad, Superman v2 and The Forever People v2 (and most likely part of the creative teams)  — and you can see a bit of those influences in the series (which truthfully just added to the overall feeling of a 'big picture' DCU):

• Issue #9 has an indirect cross-over to the Superman/Flash race from Adventures of Superman #463 (1990). Nether Flash nor Superman appear in the issue, but a bunch of the main and support characters all gather to see the two speed through Washington, DC. (Apparently the idea was that all of the DC titles that month would have some sort of reference to the Superman/Flash race).


• Maggie Sawyer (a Superman-affiliated character) is name-dropped a few times by the other Washington SCU characters. Karl Kessel was inking John Byrne's Superman v2 when the Metropolis SCU was introduced. I'm wondering if Karl took a queue from this and created the Washington SCU for his own series?


• The Suicide Squad and possibly Belle Reve (the prison facility where Task Force X holds its metahumans) are mentioned a few times.


• Bruno Manheim, a Superman/Fourth World villain, is name-dropped a few times in issue #23. Superman actually appears (as a flashback) in issue Hawk & Dove v3 #23, making the connection very obvious.


• Issue #23 also has a reference to the Titans Hunt storyline that what was going on in New Titans at the time: Hawk is informed that "Nobody has seen the Titans lately", prompting him to wonder where the Teen Titans are and if he should go looking for them.


• Child and Flaw were characters from Amethyst v2. Karl Kesel was the inker for the issue Child and Flaw first premiered in [Amethyst v2 #15 (1986)]. I wouldn't be surprised if the land of Druspa Tau was Karl's idea, too. Had the series continued longer, I imagine Amethyst herself may have even made a guest appearance.

To conclude, in keeping with our namesake (i.e. DC in the 80s), we're going to point out a few late 80s/early 90s references in the book that readers today probably wouldn't get if they hadn't lived through that era.

Hawk & Dove v3 #14:

"Liz and Dick" refers to Elizabeth Taylor and Richard Burton — two Hollywood stars who were known for their tumultuous relationship (married and divorced twice... to each other). "Jim and Tammy" refers to televangelist Jimmy Baker and his wife Tammy Faye Baker — in 1987 it was uncovered that he was using fundraising money from his PTL Club for scandalous reasons. "Sean and Madonna" refers to actor Sean Penn and the singer Madonna — they were married from 1985 to 1989 and most people from that era only seem to remember Sean Penn having violent outbursts and going so far as to assault a photographer. That's where the 'dangerous' comes from.


Hawk & Dove v3 #20:

Well, if you couldn't figure this one out - this is a parody of the Teenage Mutant Ninja Turtles (who were a marketing juggernaut in the late 80s/early 90s). Actually, this whole issue is a poke at the big toy department stores that were so popular in the 80s — the name of the department store Dove visits is "WE-R-TOYS" [Toys "R" Us, anyone?].


Hawk & Dove v3 #20:

Yep, Oracle and her friend are watching Twin Peaks — a TV mystery/drama that aired on ABC from 1990 to 1991. It was created by Mark Frost and David Lynch, and is probably like nothing you've ever watched before. If you haven't already, you need to watch it at some point in your life.


Join us next time as we take a look at the last few issues of this ongoing series (#25 to #28), the second annual, and the awful thing that happened to Hawk and Dove after this series concluded.


-Justin 
(with special thanks to contributing editor Rob Perry for the guidance)

Reviewing the 1988 Hawk & Dove mini-series

The mini-series (aka 'limited series') was an excellent method for DC comics to test if there was enough interest in a character/team before deciding to commit to a monthly ongoing series. In an attempt to re-introduce an older title to a modern audience, DC published the five-issue Hawk & Dove mini-series in 1988. Hawk and Dove wasn't a totally new concept — most Teen Titans readers would've been familiar with Hawk as he had appeared in several Teen Titans stories in the last few years [New Teen Titans v2 #19 - #21, #24 and Teen Titans Spotlight #7 - #8] as a solo act.

Karl Kesel and Barbara Kesel wrote this mini-series, while Mike Carlin edited (and Renee Witterstaetter was the assistant editor).

As one of DC's more recognized inkers since he started in 1984's New Talent Showcase, this mini-series was Karl Kesel's first credited work for DC comics as a writer (I say 'credited' because I know that he was giving creative input to 1987's Suicide Squad while he inked the series). Among other things, Barbara Kesel (né Randall) had written several Batgirl and Superman stories (as well as most of the copy for the Who's Who in the Legion of Super-Heroes limited series) prior to this mini-series.

Karl and Barbara had gotten married shortly before the publication of this mini-series (between the inking of issues #1 and #2) — just in case you were wondering why they both had the Kesel surname. Along with this mini-series, Mike Carlin was also editing The Shadow, Power of the Atom, Superman, Adventures of Superman, Doc Savage and The Cosmic Odyssey limited series. My best guess is that Witterstaetter was assisting Carlin with whatever projects he was overseeing. According to Barbara, the idea of the new Hawk & Dove was originally pitched with the intent of being used as a feature in a new anthology series being developed, but Carlin saw the potential in the duo and decided to give it the mini-series treatment instead.

House ad for Hawk & Dove mini-series

First, a little background on the head-lining characters:

Hawk & Dove first debuted in DC's Showcase #75 (1968). Created by Steve Ditko and Steve Skeates, Hawk (Hank Hall) & Dove (Don Hall) were two teen-aged brothers who, when they spoke the magic word ["Hawk" or "Dove", respectively], transformed into super-heroes. Hawk was the brash aggressive one, and Dove was the passive, thinking man's hero. If you want to get political about it, Hawk is the 'take no prisoners' macho conservative and Dove is the extreme-left bleeding heart liberal — and you should get political about it, because that's what inspired these characters. As then-editor Dick Giordano explained in the letter-column of Showcase #75:

The creation of these characters was pretty relevant and timely, as the United States' involvement in the Vietnam War caused an uproar of protests (especially among college students) during the mid-to-late 1960s. Don't discount how much of a hot-button issue the Vietnam War was to Americans in the late 60s/early 70s — according to A People's History of the United Stated by Howard Zinn, "In August of 1965, 61 percent of the population thought the American involvement in Vietnam was not wrong. By May 1971 it was exactly reversed; 61 percent thought our involvement was wrong." DC was striking where the iron was hot, and there was no hotter topic than the Vietnam War.

Shortly after their Showcase debut, Hawk & Dove had their own 1968 ongoing series that lasted six issues. I've always liked the idea of Hawk & Dove (maybe it was their colorful costumes or the duality of their powers) — but the execution of their ongoing series was really poor. Being a book from the late 60s, the pacing was slow as molasses and, while Hawk was an interesting character, Dove (Don Hall) really got on my nerves as I just saw him as dead-weight to a potentially interesting crime-fighting unit. A lot of their 6 issue series were spent arguing among themselves about how to deal with criminals: Dove trying to push forward with his pacifist agenda and prove a point to Hawk, while Hawk preached the virtues of violence and force. The story typically ended with no clear resolution on which solution was more effective (aggression or pacifism), so you never really learned anything important from these stories.

panels from Hawk and Dove v1 #2 (1968) illustrated by Steve Ditko

The teen-aged Hawk & Dove guest-starred in Teen Titans v1 several times during the 70s and even became members of Titans West — these stories were quite good (mainly because there was less bickering between Hank and Don since they worked as a team unit). Following that, they kind of meandered around the DCU until Dove (Don Hall) was killed off in Crisis on Infinite Earths.

Crisis On Infinite Earths #12 (1986) - illustrated by George Perez and Jerry Ordway

After Dove's death, Hawk appeared occasionally in the DCU. There was a bit of a sub-plot brewing in New Teen Titans (written by Marv Wolfman) in which Hawk goes off the deep-end and becomes 'unhinged' due to the death of his brother. Following his appearance in NTT, Hawk was becoming a warmonger and could be found charging into the confrontation du jour yelling about 'commies' and 'pinkos' while exhibiting extreme prejudice. In hindsight, Hawk exemplified Reagan-era Cold War values (ex: 'down with the Soviets', 'American technology and values is superior to all else') mixed with a militant machismo attitude. This set the scene for interesting interactions with other super-heroes.

panels from New Teen Titans v2 #20

And now you're all caught up...

Among other things, the new Hawk & Dove mini-series was a chance to update the original duo for a more contemporary audience. This was nothing to be concerned about... quite a few DC characters were being 'redefined' post-Crisis: Aquaman became a magical-based character in his 1986 mini-series, the mantle of Doctor Fate was passed to a new character in his 1987 mini-series, Power Girl was revealed to actually be Atlantean in her 1988 mini-series, the Martian Manhunter had multiple alterations made to his origin in his 1988 mini-series, and Hawkman and Hawk Woman would experience a major shake-up in 1989's Hawkworld (just to name a few).

If I had to sum up this mini-series in as few sentences as possible, I'd tell you that: a new Dove appears in Hawk's life, they team up to battle a new threat, and ultimately discover that they are agents of Chaos and Order. I realize that this is a very blunt summary, but the writing and pacing of this mini-series is top notch and there are many elements at play here that make this a very interesting and entertaining read.

The first issue opens with the introduction of a new villain, Kestrel, who is hunting down Hawk (Hank Hall). Contrary to popular suspicion, 'Kestrel' is not actually the combination of Barbara's married and maiden names ('Kesel' and 'Randall'), but a species of falcon. (Hey, how about that?) The bird motif runs strong in Hawk & Dove, so best to get used to it early.  Barbara mentions in her Forward to the Hawk & Dove TPB that "Kestrel’s name was an inside joke: my friend Ron had used the name (it’s a bird, look it up) as a gaming character- the most peaceful and loving character in the history of role-playing-so we used the name for our vicious mass murderer".

Hawk & Dove v2 #3 - Kestrel

We are then thrust into Hank Hall's life as he attempts to re-enroll in college and get his life back together since the death of his brother (all while playing self-proclaimed protector to Washington, D.C.). As far as character development goes, the Kesels do a fantastic job of getting the reader to sympathize with Hawk as we learn that he's kind of a screw-up and blames himself for Don Hall's demise. The Kesels are careful to include references to Hawk's most recent adventures in Nicaragua [Doom Patrol and Suicide Squad Special #1 (1988)] and his being kicked out of the Teen Titans - which demonstrates that this mini-series is occurring within continuity and is all part of the unified DCU. Since most of Hawk's non-costumed adventures take place in a campus setting with other college students, a strong supporting cast is quickly built up within the first issue - hence providing a chance for some interesting interpersonal relationships to develop.

As quoted from Barbara Kesel's Forward in the Hawk & Dove TPB:

Karl’s sister and my brother were the original models for the characters of Dawn and Hank (but only the good parts!); our parents became their parents; our friends became their friends. [...] Ren started out as my best friend, but just wouldn’t stay her. As writers, we’re always cannibalizing from our own lives in order to create true false reality, and there is, therefore, a lot of us in the mix.

The secret identity of the new female Dove is a mystery that runs throughout the first several issues of the mini-series (the reader is only introduced to her by the end of the first issue) — the Kesels added a few red herrings to the story to keep the reader guessing who Dove's real identity was (most readers were able to successfully guess it by the end of the second issue).

Hawk & Dove v2 #1 - the NEW Dove

As previously mentioned, this mini-series reveals that Hawk and Dove are, in fact, agents of Chaos and Order (respectively). I'm having a bit of difficulty pin-pointing where the Lords of Chaos/Lords of Order idea started in the DCU, but I think it was during Paul Kupperberg's 1987 Phantom Stranger mini-series. Regardless, this was actually a much appreciated addition to the Hawk & Dove mythos. Previously, the Hall brothers mainly spent their time battling petty crooks and combating urban crime, but redefining them as agents of Chaos and Order now gave them more opportunities to battle occult and supernatural forces (which everybody knows makes for more interesting story-telling), and to have a greater connection to the mystical characters of the DCU (i.e. Doctor Fate, Phantom Stranger, Arion, etc)

Along with the idea that Hawk and Dove are agents of Chaos and Order comes a bit of retconning in terms of their origins. We learn that 'the Voice' that gave them their powers were actually 'Voices' (plural). This ties in nicely with the Lords of Chaos and Order reveal — because they're a group of entities who work in unison - and also eliminates the confusion that the Voice that gave the original Hawk & Dove their powers wasn't the same Voice [of God] that gave The Spectre his powers. The mini-series ends with a hint that the Agents of Order may not be the benevolent force they appear to be, as the new Dove deduces that Don Hall's Dove powers were taken away from him and given to her minutes before he was killed in Crisis on Infinite Earths (effectively making him an easy target for a Shadow Demon).

Another nice thing about this mini-series is that it clearly defines Hawk & Dove's powers. Whereas the original origin was kind of vague and open to interpretation...

Showcase #75 (1968)

...the Kesel's mini-series clarified this with a recap of the duo's powers (or at least the new Dove's):

This re-explanation was greatly needed, as I always felt like the original series left Hawk and Dove's powers too ambiguous. As far as I could tell, Hawk had the power of being really angry and attacking recklessly without thinking, while Dove had the power of trying to slow down his brother and getting punched in the face a lot. Truth be told, I still can't tell if Hawk and Dove's powers of accelerated healing was a power they originally started with back in Showcase or if it was a power the Kesels managed to slide in during this mini-series.

All things considered, the new Dove was far more interesting than the original. Unlike Don Hall, who was either trying to 'prove himself' or refusing to resort to violence (and mainly used evasive and defensive maneuvers), the new Dove was a confident and competent character who used martial arts (with an emphasis on turning the opponents weaknesses on themselves) to deal with her foes.

Let's also not forget that she was a woman with no (apparent) family relation to Hank Hall, which left the door open for potential romantic development between the two. Hawk suddenly acquiring a female Dove was quite the surprise among DC fans. If you check the then-current DC comics landscape back in 1988, there weren't too many strong female characters with a prominent lead role in a title. Sure, there was Wonder Woman (in her own title), Negative Woman in Doom Patrol v2,  Wonder Girl and Starfire in New Teen Titans v2, and Black Canary appearing in both Action Comics Weekly and Green Arrow v2 — but out of 50 books being published monthly, that's not an incredibly strong showing. In short, the time was right for a new head-lining female superhero.

In an interview with Jennifer M. Contino for Sequential Tart from 2000, Barbara Kesel revealed that she found a sketch of a female version of Dove while flipping through one of Karl Kesel's sketch books:

"Who's this?" I asked. "Oh," he said, "I always thought Dove should have been a girl character." We chatted, I wrote up the proposal, and poor Carlin got badgered into the series."

One of the most notable things about this mini-series was that it was some of Rob Liefeld's first* published work for DC comics. Actually, it was some of Liefeld's first work for the 'big two' after being scouted by DC comics Executive Editor Dick Giordano at Wonder Con 1987. Liefeld pencilled all five issues and Karl Kesel inked over Liefeld's pencils. Looking back over this mini-series, you begin to notice many Liefeld-isms that would recur in his later work: splash pages filled with energetic and dynamic action poses, characters being loaded up with excessive firearms, careful detail paid to facial expressions and character reactions, and extreme close-ups of large toothy triangular grins. In short, Liefeld brought a fantastic energy to the pages that kept the reader enthralled with visual detail.

* In 1988, a 21 year-old Rob Liefeld had work appear in DC's Secret Origins v2 #28, Warlord #131 and Hawk & Dove v2 #1 - all within several months of each other. Your guess is as good as mine as to which was considered Liefeld's 'first' work for DC.

Readers were quick to pick up on Liefeld's talents and lauded DC for the amazing find (ensuring to mention Karl Kesel's inks which embellished Liefeld's work). One reader even went so far as to suggest that Liefeld might be the next Todd McFarlane (ha! if only they knew).

There's an interesting editorial note from Mike Carlin in the last issue of the series thanking Karl Kessel, inker Keith Williams and inker Bob Lewis for 'sundry assistance during the worst of it' and a reference to Liefeld introducing 'entirely new situations to an Editor who'd thought he'd seen it all'.

Carlin is referring to the fact that Liefeld submitted some of his final pencilled pages for Hawk & Dove v2 #5 in a 'landscape' style [as opposed to the 'portrait' style you see when you read a comic upright]. This led to Karl Kesel and Mike Carlin needing to xerox and lightbox Liefeld's finished panels into an upright position in order to get the book ready for print. I'm assuming Liefeld's submitted work past it's deadline by this point - just to add that extra element of pressure. You can read Karl Kesel's account of this event at Brian Cronin's Comic Book Legends Revealed #36.

Issue #1 of this mini-series was the first appearance of the new Dove as well as the new agent of Chaos, Kestrel. Liefeld played a major hand in designing the new Dove's costume. I've always appreciated the attention to detail in which the new Dove's costume is modeled so closely to Don Hall's costume — preserving a sense of legacy. In an interview with Jennifer M. Contino at Comicon.com, Liefeld revealed that he has a small sense of ownership to the new Dove:

“I designed the character in the late ’80s and originally her costume would reveal no hair at all if I didn’t throw down with the Kesel’s over it. We finally compromised on the ponytail-do, but you have no idea the effort that took.”

...and from the same interview:

"When I co-created Kestrel with Barbara and Karl Kesel way back in the mini-series, he was very predator-like, very much a hostile force of evil working on behalf of the agents of Chaos to disrupt the balance of good and evil, tilting it towards evil."

Karl Kesel's Forward from the Hawk & Dove trade paperback confirms that 1) Rob insisted that they modify the new Dove's costume to let her hair show, and that 2) Barbara created Kestrel, Rob Liefeld designed his costume, and Mike Carlin decided it would be purple.

Kestrel appeared a few more times in the DCU after this mini-series was concluded - once in a 2005 Teen Titans story arc (illustrated by Liefeld) and as a villain in the 2009 Superman/Batman Public Enemies animated movie.

Kestrel as he appears in the 1992 Impel DC Cosmic Cards trading card set

Rob Liefeld illustrating Hawk & Dove (who could both essentially be considered Teen Titans spin-off characters by association) would be a major coup for the artist — he'd been a fan of the Teen Titans longer than he'd been a fan of Marvel's X-Men or Avengers. Liefeld disclosed to Matt Brady in a 2005 Newsarama interview:

"I was a major, big time fan of the Teen Titans as a kid. I loved the comic in the mid 70’s incarnation prior to Marv Wolfman and George Perez’s ’80s re-launch. I loved the Aquaman cartoon because it had the Teen Titan feature on it, the one where Kid Flash’s costume colors were reversed to red on top and yellow legs... I love the Titans, yes."

"A little known fact is that I was an early member of the ’80s Teen Titans fan club, Titan Talk along with my early Youngblood collaborator and current Wildstorm exec Hank Kanalz. And even more little known is that I’m on the guest book in Teen Titans #50, the Wedding of Donna Troy. George [Perez] had my name added to the guest list. If I’d been on time with my photo, George would have drawn me in the book. See, I’ve always been late, deadline challenged... even as a kid."

Liefeld's name in the Donna Troy/Terry Long guest list. Just above Dick Giordano's.

From the same Newsarama interview, Brady asked about other Teen Titans plans Liefeld may have had with DC following the Hawk & Dove mini-series:

"I proposed a new Titans book in 1991, Team Titans was the proposal, Jon Peterson who edited the book approved it, Marv Wolfman signed on to co-write it and then I couldn’t make the deal with Dick Giordano. God bless him, we just couldn’t make the numbers work. So I took my proposal and merged it with an existing indie project I had called Youngblood. Next thing you know, POOF... Image comics was born."

"Shaft was intended to be Speedy. Vogue was a new Harlequin design, Combat was a Kh’undian warrior circa the Legion of Super Heroes, ditto for Photon and Die Hard was a Star Labs android. I forgot who Chapel was supposed to be. So there you have it, the secret origin of Youngblood."

This kind of makes you see Youngblood in a whole new light, doesn't it?

Overwhelmingly positive reader response to this mini-series [apparently it sold really REALLY well] led to a 1989 Hawk & Dove v3 ongoing series that was also written by Karl and Barbara Kesel. Liefeld was NOT the penciller for the new ongoing series (he would begin a regular stint at Marvel comics about 6 months after this mini-series saw print). Liefeld would illustrate Hawk and Dove again in 2011's Hawk & Dove v5 for DC's New 52.

This mini-series had all of the hallmarks of a great book — excellent writing and pacing, fantastic art, interesting characters and support cast, progressive character development, a bit of humor, the introduction of new characters while paying respect to the legacy (lots of Crisis references in here), the creation of bigger over-arching mysteries, a feeling that it was tied to the 'bigger picture' of the DCU — so I'm not surprised it got the green light for an ongoing series.

Barbara Randall Kesel has gone on the record to say that this mini-series was about love and "the way it can invade and change your life without any respect for the way things had been, or perhaps should have been... Our love, and the feeling that a complementary partner is important to our own completion. Love for others, and what it will let you give up or give of yourself...". I totally missed this the first time. Next time I re-read this, I will look more carefully for this.

I would recommend this series to everyone — especially Rob Liefeld fans who want to see some of his early work. This mini-series was last reprinted in 2012's Hawk & Dove: Ghost and Demons TPB — catch it if you can.





-Justin

Special thanks to Titanstower.com for preserving those Rob Liefeld interviews we quoted in this article and those snippets of Forward written by the Kesels as found in the 1993 Hawk & Dove TPB.

Big thanks to Jennifer M. Contino and Matt Brady for having the gumption to interview Barabara Randal and Rob Liefeld about this mini-series over a decade ago — without your interviews, this article would've mainly consisted of educated guesses and speculation on my part.



Read more:

You can read more about the original 1968 Hawk & Dove at Dial "B" for Blog's The Secret Origins of Hawk and Dove.

An entry from Fraser Sherman's blog reveals that writer Steve Skeates had different ideas for the original 1968 Hawk & Dove duo, but was discouraged by DC editorial.