Sunday, June 9, 2019

Hot off the press! Our 3rd zine! The Vertigo Issue!

Presenting our newest 'zine!

The DC in the 80s crew (Mark and Justin) have been hard at work producing the next issue of Baxter Stock, the official 'zine of DC in the 80s. We put some sweat and some tears into it (no blood) and we think it's pretty dope.

wow! cover by Josh Bayer!

This issue we’ve dedicated to Vertigo. With its origins in 1984 and Swamp Thing, until its endings, which seems to be any day now (check the internet), we have explored what DC in the 80’s fans thought was important.

If you're an American resident, for $5 USD (includes shipping), we will send you a 24-page* black and white 'zine (on 32lb paper, oooh la la) that includes:

-pin-ups by Richard Pace, Ɓukasz KowalczukJames Whiting, Christian St. Pierre, and our very own Mark Belkin
-cover by Josh Bayer, back cover by Raymond Lowell
-art by Tony Wolf, Erik Tramontana, and Tony McMillen
-interviews with Josh Bayer, Art Young (Senior Editor for Vertigo), Tom Veitch (Animal Man) and Richard Case (Doom Patrol)
-...and all that other 'zine stuff you'd come to expect (articles, reviews, etc)

If you're a Canadian resident, $6.50 USD (includes shipping) will get you the same deal as seen above.

To order, send us an e-mail at

Yes, this is our THIRD 'zine. You can scope out our first and second zines by clicking on the links. We may have a few left in stock...

FOR A LIMITED TIME you can buy all three zines (yes, this includes the 3D zine with 3D glasses) and have it shipped to you for $17.50 USD. This applies to US residents only

*the 24 pages include the front and back cover, naturally

Monday, March 25, 2019

An Ode to Plastic by M Dolan

Maybe it's the fanboy in me, but I'm utterly fascinated when a comic reader discovers a new character they were previously unaware of and really dives deep into the character's bibliography. I always enjoy hearing other people's perspectives on characters/titles/story lines and why they enjoyed them so much. 
When I first heard the name 'Plastic Man' I assumed he was one of those overly campy superheroes from an outmoded print era. Over time, having heard a little more about him, I thought Plastic Man was nothing more than a jokester who was only ever written in team books as an easy way to inject comic relief. My overall initial impression of the character was that he was just some clown pulled from the Golden Age and shoved into modern books as a way to keep a legacy character relevant. I don’t think I’ve ever been so wrong when judging a character as I was when I judged Plastic Man. What instantly changed my perception of the character was when I heard about his origin story.

Plastic Man is your typical crime-fighting superhero with an atypical beginning. He was created by cartoonist Jack Cole and first appeared in 1941's Police Comics published by Quality Comics. What was so different about this superhero’s origin was that his real identity was a gangster. This character, who is predominantly known now for his physically comedy and joke telling, was a career criminal before he became a superhero. Before becoming Plastic Man he was known as “Eel” O’Brian, a name he earned by being too “slippery” to be caught by police. O’Brian’s specialty was safe-cracking. It was busting a safe to steal a chemical plant’s payroll that lead to O’Brian’s transformation from criminal to superhero. During the caper O’Brian ended up being shot through shoulder by a security guard and doused in experimental chemicals. Ditched by his cohorts, O’Brian managed to stumble away out of town before passing out. He woke up in a mountain retreat where he had his wound tended to by a monk. The monk revealed to O’Brian that he turned away police who had tracked him to the area because he believed that O’Brian was “a man who could become a valuable citizen if he only had the chance”. O’Brian, taken aback by the monk’s kindness, had his faith in humanity rekindled and he began to regret his life of organized crime.

panel from Secret Origins v2 #30 (1988). Art by Stephen DeStefano

While recovering, O’Brian discovered that he has acquired the ability to stretch and contort his body as a result of the acid which fell into his gunshot wound. Inspired by the monk, O’Brian resolved to end his career as a criminal and take it upon himself to put away people like his past gang members who had left him for dead in the chemical plant.

Plastic Man initially fights crime by infiltrating gangs with the aid of his alter ego’s connections and eventually begins formally working with FBI to help stop crime. Plastic Man also has an ex-thief of a sidekick named Woozy Winks who Plas helped go straight. Woozy is a hilarious character who helps give Plastic Man his unique brand of humour.

panel from Plastic Man #17 (1976). Art by Ramona Fradon.

While Plastic Man’s origin has its cheesy streak (i.e. monks being the ones who set O’Brian on the right path despite the story taking place in an urban setting), I insist that the core of the character is very relatable and remains relatable to the modern reader. He is someone who had done wrong in the past, is given the opportunity to do good, and uses that opportunity to make amends and become a better person. He forever has insecurities about his past wrongdoings and a fear of being rejected if anyone where to find out about his past. Plastic Man, for these reasons, is a flawed and developed character who leaves me with an optimistic outlook. His story tells us that there can be good found in people and that sometimes they just need the chance to show it.

panel from Police Comics #19 (1943). Art by Jack Cole.

I’ve comprised a reading list for anyone interested in reading Plastic Man. Something really fantastic about Golden Age Plastic Man comics (i.e. Quality Comics) is that the stories still hold up. I find myself going back and reading Plastic Man’s classic stories and still finding them absolutely delightful and hilarious. I generally consider myself a fan of early comic book characters and for almost every single one of them I think the later interpretations of the characters and their stories are stronger than the original tales. That’s not the case with Plastic Man at all. I really think Jack Cole was ahead of his time with this character and I think that his stories and his character really deserve to be remembered as they were. Roy Thomas, a past editor-in-chief for Marvel and huge Golden Age fan, called Plastic man “one of the great creations of the Golden Age of Comics”. (Secret Origins v2 #30)

Quality Comics:

-Police Comics (1941), in which Plastic Man has stories from issues #1-102
-Later Plastic Man was given his own book, Plastic Man (1943).

As it goes with any old character, they see change over the years through being passed on from writer to writer. Sometimes the soul of the original character gets lost in narrative changes and continuity shifts. The DC series and appearances I’ve chosen for this list are ones that I think stay true to the spirit of Jack Cole’s original work.

panel from Secret Origins v2 #30 (1988). Art by Stephen DeStefano

DC series:

-Plastic Man v2 (1976) (note: this series starts at issue #11 after a 10-year hiatus)
-Plastic Man v3 (1988)
-Plastic Man v4 (2004)
-Plastic Man (2018)

DC specials and appearances worth reading:

-Secret Origins #30 (1986)
-Plastic Man Special (1999)
-Adventure Comics #467-478 (1938)
-The Super Friends #36, #43, #45 (1976)
-The Brave and the Bold #148 (1955)
-The Power of SHAZAM! #21 (1995)
-Action Comics #661 (1938)  which ties into Superman #110 (1987)

panel from Adventure Comics #469 (1980). Art by Joe Staton.

If you’re a fan of light-hearted crime stories or satirical comics then I think you’ll find the comics listed above quite enjoyable. Thank you so much for reading and I hope you’ve discovered a new character to love.

...and any comic fans on the hunt for a modern day appearance of Plas, you can find "Eel" O'Brian in Jeff Lemire's The Terrifics:

The Terrifics! art by Doc Shaner