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Wednesday, January 20, 2016

Myth: 1980s English rock band, Killing Joke, took their name from the Alan Moore Batman graphic novel of the same name





While that would be totally cool from an 80s pop culture perspective, it’s actually false since Batman: The Killing Joke by Alan Moore and Brian Bolland was published in 1988, and Killing Joke (the rock band) was formed about a decade prior (1978).

When asked about the origin of the band name, Jaz Coleman (Killing Joke’s vocalist and keyboardist) once explained:
“the killing joke is like when people watch something like Monty Python on the television and laugh, when really they’re laughing at themselves. It’s like a soldier in the first world war. He’s in the trench, he knows his life is gone and that within the next ten minutes he’s gonna be dead … and then suddenly he realises that some c*nt back in Westminster’s got him sussed - ‘What am I doing this for? I don’t want to kill anyone, I’m just being controlled’. (Laugh At Your Peril With Killing Joke. Allied Propaganda. May 1979.)

The band itself is still kickin’. Check their Facebook page: www.facebook.com/killingjokeofficial

Review of Jonni Thunder AKA Thunderbolt 1985 mini-series




When Roy Thomas started working for DC comics in 1981, he wanted to create a NEW male character called Johnny Thunder (he was very fond of the name).  Roy Thomas and Gerry Conway were discussing the neglected private-eye comic book genre and came to the conclusion that nobody had successfully mashed up the private-eye and superhero genres in a while - this was the spark that led Thomas to flesh out the idea for Jonni Thunder AKA Thunderbolt and a rough plot was quickly established. While Conway was too busy to do the actual writing, he did co-plot the first issue of the mini-series.

Roy Thomas’ wife, Dann Thomas, was a big fan of Raymond Chandler (and detective fiction in general) and jumped at the chance to collaborate on this mini-series. It was Roy and Dann who decided that Jonni should be a woman who aspired to be like her hero, Philip Marlowe*. Dann Thomas wrote the first draft for the four issues based on the plot that she, Roy Thomas and Gerry Conway brainstormed. Roy Thomas did a quick re-write smoothing everything out - but the majority of what you read in that series (the snappy dialogue and the one-liners) were written by Dann.

 




Ernie Colon (who had been working with Thomas on the Arak ongoing series) was Thomas’ first choice as an artist, but Colon got wrapped up with Amethyst, and Dick Giordano was eager to take over as illustrator for this project - so Giordano became the penciller and inker of this mini-series. Giordano was still editorial vice-president of DC comics when he accepted this assignment - prior to Jonni Thunder AKA Thunderbolt, Giordano’s last interior artwork was for Wonder Woman #300 (1983).

Between the conception of Jonni Thunder AKA Thunderbolt in 1981 and the actual realization of the project (due to Thomas’ and Giordano’s busy schedules), DC had published another PI series - Nathaniel Dusk (written by Don McGregor) in 1984. (Allegedly, McGregor was overjoyed that Nathan Dusk didn’t have to incorporate super-hero elements and was able to keep it strictly detective fiction.)

The mini-series itself had a film noir type detective plot with supernatural/sci-fi/fantastic elements (as usually found in comic books). Curiously, none of the 4 issues in the mini-series had a Comics Code Authority (CCA) Seal on the cover - indicating that it was targeted towards a more mature audience. I noticed that some parts of dialogue were heavy with subtle sexual innuendo, but I hardly doubt it was enough to not be approved by the CCA.

Jonni Thunder AKA Thunderbolt was extremely well received by comic fandom - Don Thompson, editor and respected comic book critic, praised Jonni Thunder AKA Thunderbolt in the Comic Buyer’s Guide and even stated that it read better than Nathaniel Dusk. Alas, Roy Thomas and Dick Giordano’s extermely busy schedules meant that neither would have any time to work on a Jonni Thunder AKA Thunderbolt ongoing series. At best, they would be able to work on the occasional Jonni Thunder AKA Thunderbolt mini-series or graphic novel, but nothing ever came of it.

Jonni Thunder later appeared in Infinity Inc (another book Roy Thomas was writing) from 1986 to 1988 as Skymaster’s main squeeze. Her adventures with the team occurred after the Crisis On Infinite Earths event, so I guess they would count as post-Crisis appearances.

As previously mentioned, this is NOT the first Johnny Thunder to appear in DC comics... Johnny Thunder (first named ‘Johnny Thunderbolt’) first appeared in Flash Comics #1 (1940). Created by John Wentworth and Stan Aschmeier, he was a bumbling comedic character who had a sentient energy-being thunderbolt pet who would do whatever he commanded (akin to a genie in a bottle who has to obey his master’s wishes). All of his adventures were set in the present-day (so, around World War II). His antics were a regular feature in Flash Comics back-up stories from the get-go – until about 1948 when the newly introduced Black Canary took up his slot. He also starred concurrently in All-Star Comics from 1940 to 1948 as a member of the Justice Society of America (and it looks like Black Canary booted him out of that series, too).**

A few months later, a NEW character named Johnny Thunder appeared in All-American Comics #100 (1948) only a few months after the original Johnny thunder was ousted from his two regular books.  This new Johnny Thunder rode a horse named Black Lightning and his stories took place in the latter half of the 1800s in the American Old West. This new Johnny Thunder did not have access to a thunderbolt pet and really had no connection the aforementioned Johnny Thunder. This new Johnny Thunder had a pretty nice run and even became the headliner for All Star Western in the late 1950s. Western Johnny Thunder’s star faded in 1961 with the cancellation of All Star Western.
Despite the fact that Jonni Thunder had the ability to become a living thunderbolt energy-being and the original Johnny Thunder controlled a sentient thunderbolt energy being, no connection was ever made between the character (missed opportunity?).

I am of the opinion that a catchy name never dies and there will always be a ‘Johnny Thunder’ to reflect whatever is happening in current comic book pop culture as long as DC comics is around. Case in point, in the 1940s (also known as the “Golden Age” of comic books) superhero ‘funny’ books were the predominant genre in comics books, thus we had a comical character with fantastic powers named Johnny Thunder appear. When the superhero genre died out and the Western genre emerged, we suddenly had a new Western-themed vigilante named Johnny Thunder appear. It’s a pretty bold declaration for me to state that Jonni Thunder was a product of the second and third-wave feminism movement (ex: a strong, assertive, independent female who can go toe-to-toe with any man) -  all I could think about while reading Jonni Thunder AKA Thunderbolt was how the lead character reminded me of Candice Bergen’s character Murphy Brown (aired from 1988 to 1998). And finally, for the late 90’s, Jakeem Thunder: an African America youth who gains possession of the original Johnny Thunder’s pet thunderbolt and uses this new power to become a hero. I’m strongly suggesting that DC introduced this new version of ‘Johnny Thunder’ to their readers to demonstrate that they are “hip with it”.

*Philip Marlowe is the main protagonist in Raymond Chandler’s detective fiction.

** Don’t worry, he would re-appear again in Roy Thomas’ All-Star Squadron ongoing series (1981 - 1987) and make sporadic appearances in other comic book whenever the Justice Society of America was involved. At the time of Jonni Thunder AKA Thunderbolt’s publication, America vs the Justice Society was also being published.


This article first published in August 2014.

Tuesday, January 19, 2016

Five Questions with Steve Erwin (co-creator and penciller of 1988’s Checkmate! ongoing series) by Reggie Francia

Thanks to Roland Reedy for permission to share!

Five Questions with Steve Erwin (co-creator and penciller of 1988’s Checkmate! ongoing series)

Reggie Francia: Who came up with the design for the suits? Was it you and Paul [Kupperberg] or John Byrne?

Steve Erwin: John Byrne designed the Knight uniforms. As the story was related to me, Paul was telling Byrne about the Checkmate concept over lunch and as they were talking, John was scribbling out visuals for the Knights. Paul left with a nice pencil sketch which I was given a photocopy of to work with later on after the title was approved. [Paul Kupperberg gave us his account of this story here. - editor]

Reggie: My very first issue was #12 where Stein went to Bongo world. I read that issue a hundred times back in ‘89 I think. I just fell in love with the story and especially your art! There where a couple of guest pencillers and till the series ended. Was it because of other commitments that you didn’t pencil the other issues?

Steve: Checkmate v1 #12: I just took a look at my stack of pages from that. Really fun to do, with all the space shuttle stuff to draw. The editor let me do a bunch of double-page spreads. FYI: I was in the middle of the issue when word came that it was going to be our “Invasion” crossover issue. I had to re-draw a few pages, rework some stuff here and there so we could make our plot elements fit. As I remember, the guest artists were brought in so that I could move ahead a few issues. I’d probably have to look at that part of the run for a refresher. It was a long time ago.

Reggie: Have you ever read the new series [Checkmate v2]?

Steve: I read the first issue of the new series. It looked really nice but I didn’t have a clue what was going on, so I didn’t go past that. It’s like it was continued from a story that started someplace else.

Reggie: Did you have any input in the stories for volume 1?

Steve: Did I have input in the first series? LOADS!! I worked with Paul [Kupperberg]  and the editor in the development stage to design most of the costumes and support characters that weren’t pre-existing. Paul wrote the series plot-style not in a script form, so when an action sequence came up he gave me the basics of what was to happen and what needed to be included, and otherwise I “choreographed” it all myself. He often asked where in the world (literally) the story should go next.

Reggie: Favorite issue?

Steve: Favorite issue? That’s hard. #11 is one of them ‘cause I played with adding characters resembling characters from TV shows. Other numbers I don’t recall offhand, but the issue set in Israel was fun to do, lots of double-page sequences. Thanks for the trip back in time!


This interview was conducted by Reggie Francia.


Reggie chatted with Steve Erwin a second time about his work on 1991's Deathstroke the Terminator v1, the 1988 Checkmate! ongoing series and his DC comics work on Star Trek. Check it out here.