When Hasslein Books announced that they were publishing a new book detailing the entire Watchmen chronology, they were kind of enough to allow DC in the 80s a glimpse of their review copy so we could let them know what we thought about it.
My first exposure to Alan Moore and Dave Gibbon's Watchmen was in an issue of Who's Who (update 87, vol 4) I had bought from a flea market and was thumbing through in the back seat of our car on the ride back home. It wasn't even an entry about the Watchmen - it was about their fictional precursors, the Minutemen. I was only eight or nine years old, but that brief Who's Who article told me about teammates attempting to sexually assault other teammates, getting institutionalized or simply winding up murdered. I knew right away that this wasn't the idealistic "safe" DC I had grown up reading, and contained that grim and gritty realism that I started to realize was noticeably absent from comics. From that moment on, tracking down those issues and reading everything I could about it were a high priority on my "to do" list. (I wouldn't actually read and/or own the entire Watchmen mini-series for another ten years or so, but I assure you that particular Who's Who entry had never left my mind since that fateful car ride.)
I kind of feel that the author, Rich Handley, can relate to my anecdote. Handley explains in his foreword that his entry to the genius of Alan Moore was via Batman (or more accurately, The Killing Joke), and it ultimately led to him sweeping up every Moore comic book publication that he could find. In Handley's own words, "I didn’t need to be hit over the head repeatedly to realize that I’d found a new favorite writer" and later cites Watchmen as his favorite body of Moore work.
The fictional universe introduced to us in 1986's Watchmen mini-series is incredibly engrossing... and criminally short-lived. The twelve issue mini-series fueled our imaginations by teasing us with hints of untold adventures that we'd never be privy to. After the publication of the mini-series there were a few Who's Who entries and several DC Heroes RPG supplements available for fans looking to piece together more of the Watchmen history, but that was pretty much it. Behind the scenes, there were a few attempts at a Watchmen screenplay in the late 80s and early 90s.
In 2005, the DC Comics Absolute Edition of Watchmen was released - complete with additional background info on characters, notes on the original creation process and essays by Gibbons and Moore. The Absolute Edition was simply a warm-up for the main event, however, as 2009 saw the theatrical release of the Watchmen film (directed by Zack Snyder) and the creative/merchandising floodgates would soon be re-open again for all things Watchmen (video games, comic book prequels, motion comics, strategy games, and possibly even a TV series).
This is a an exciting time to be a Watchmen fan, and it can be easy to get lost in everything that's been going on. Thankfully, Watching Time: The Unauthorized Watchmen Chronology has you covered.
Weighing in at 350 pages, this is an incredibly comprehensive and detailed guide to everything Watchmen-related since 1986. When I say everything, I mean EVERYTHING: from the creation of the 1986 mini-series up to this summer's 2016 DC Rebirth appearances (Rich Handley explains in his foreword how the DC Rebirth material was just being announced as his manuscript for this book was going to print).
Handley's collection of Watchmen material is all-inclusive and sweeping - not just content to document the film, comics and DC Heroes RPG chronologies, he delves into everything from movie tie-in video games to Andrew Salmon's short fiction. Handley dug deep through really obscure Watchmen material so you wouldn't have to. That alone is worth the price of admission.
I appreciate that the author is quick to point out a few inconsistencies between the different mediums (namely, the original 1986 mini-series and DC Heroes RPG supplements versus the video games and Before Watchmen prequel comics), but he handles it amicably and even goes so far as to point out which sources come directly from Moore himself, should you not consider certain aspects as cannon.
My favorite parts of this book included the chronological history of how the entire Watchmen concept materialized (written by Brian Cronin), the brief chronological summary of events that have occurred in the Watchmen universe, and, of course, the extremely detailed twelve-part timeline chronology of everything significant that has ever happened in the Watchmen universe (comes complete with an abbreviation key so you can quickly look up the source).
This is a black-and-white book with not much as far as images are concerned. Handley is mainly interested in content and you're going to get a lot of it in an easily-digestible format. The book is easy to read, organized in a logical method, and quick to scan through. In short, this is everything you'd want in a chronological reference guide. For visual reference, the last twenty or so pages contain a black-and-white cover gallery of the materials cited in the book.
Who would most enjoy this book? Most obviously, a Watchmen fan (such as myself). Anyone who has been reading and collecting Watchmen material for the past twenty-five years and wants to see how it all "comes together". I see this book happily accompanying the Watchmen reprint trade paperback and Before Watchmen collected editions on your bookshelf. You can find out more about how to order this book directly from the Hasslein Book webpage itself.
Additionally, with Dr. Manhattan making a cameo in DC's Rebirth event, just about anybody who wants to get 'up to speed' on the Watchmen's rich lore will also want to pick this up.
It's a good time indeed to be a Watchmen fan. Watching Time: The Unauthorized Watchmen Chronology just makes it easier to do so.
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Showing posts with label Watchmen. Show all posts
Showing posts with label Watchmen. Show all posts
Tuesday, October 4, 2016
Monday, August 15, 2016
The 10 "Most DC in the 80s Moments" of DC Rebirth #1
DC’s Rebirth #1 may be a few months old, but it did some serious reinvigorating of the DC Comics brand.
I enjoyed some aspects of the New 52, but to many people, it embodied everything they disliked about DC. Some people hated the loss of legacy, some people felt they were suffering from "reboot burnout",
and some just thought the stories weren’t cutting it. I would argue the Snyder's work on Batman and Brian
Azzarello’s Wonder Woman were fantastic and some of the better all-time DC stories, but the New 52
was fighting a losing battle to "perception". It became a rallying cry for many on why DC "wasn’t good
anymore". Agree to disagree. Now Rebirth comes along and is highly successful, with subsequent DC
Rebirth titles exceeding sales and, more importantly, creative expectations. To myself and many others,
Rebirth feels more like a "Refocus" rather than a "Reboot".
DC in the 80s was lucky enough to hear New President of DC Entertainment, Geoff Johns, speak at 2016’s San Diego Comic Con. He expressed that Rebirth was his temporary swan song to DC comics, for the moment, because of his recent promotion with Warner Brothers. The new position will have him writing and collaborating on all DC movie and TV projects going forward. An incredible gain to the entertainment side, but a loss to the comics side. The panel itself was called "DC Rebirth Secrets" , but nothing too secret was revealed. Geoff did speak about his collaborations with writers and artists on Rebirth titles. He would sit with the creators, and try to figure out what makes these characters great. What has made these characters survive for so long? What do the fans love about them? What was lost in the New 52 reboot that needs to return? He talked about getting to the essence of these characters and challenging the creators at DC to put out stories with lasting power. At least that’s what I got out of it. I may be paraphrasing.
The reason DC in the 80s is so interested in Rebirth is because of how many strong 1980’s DC elements were incorporated into Rebirth. DC’s strength is legacy, the constant recreations, the rich history of each character, and the classic stories told through multiverses. Rebirth #1 was chock full of those strengths.
Here are my personal top ten.
1. Page 1, Panel 1.
The face on the watch, the familiar lettering, and a story about a watch being given to a young person. For those of us who grew up reading comics in the 1980s, or loved reading comics from that era, it’s a powerful combination of images. Yeah, yeah I get it, don’t touch the characters, I’ll address that later.
We know it’s meant as a throwback to Dr. Manhattan talking about his Father. We know how Alan Moore used the clock in his storytelling, and if you were a real Watchmen nerd, you know the plot device Moore used with the clock to create a cyclical story. All in all, the story turned back the clock in many ways, and also had the feel of moving time forward. And no one stepped on the watch.
2. Page 4, Panel 3.
The three Jokers. The middle Joker top is from The Killing Joke. The Joker on the left is the Bob Kane/Jerry Robinson Joker who is the original 1940s version. In the 40s and 60s, people who read comics or watched the TV show knew the Joker. By 1989, there were few people who were in touch with modern culture who did not know who the Joker was. Between The Killing Joke, Jack Nicholson and Death in the Family, Joker was elevated to 'mythical status'. When people went to the comic book store in 1989 looking for a story, how many were pointed to The Killing Joke? I know they just did a controversial cartoon version, but that iconic Hawaiian shirt and straw hat is still as 80s as you get.
3. Page 13, Panel 1
Crisis on Infinite Earths #2 (1985) is what got me into comic books. From the moment I saw Anthro looking at the Legion of Super Heroes world, my mind exploded. "DC Comics has cavemen and is in the future?" That was it, the concept of many times, and the multiverse, made me fall in love with the cannon. It seemed so large, so much more than just the Super Friends. Yeah they killed the Infinite Earths JUST as I got into it, but it didn’t make me love the multiverse concept ANY LESS. This panel is a call back to when Wally West took on the Flash name after Barry Allen had sacrificed his life. It’s a complete throwback to a George Perez and Jerry Ordway panel, and EVERYONE knows, those two are some of the best to ever draw comics, in any Universe.
4.Page 20, Panel 5
I can’t speak to the Legion rings from the 70’s, but the ring here speaks to me of the Legion of Super Hero rings from the 1980s. Paul Levitz’s run on LoSH is one of the most amazingly underrated runs on a comic book EVER. And whenever Keith Giffen worked on it, well that’s some of my favorite work of all time. I think I read the "prestige format" Legion of Super-Heroes #1 [1984] ten times in a row. The shadows, the Legion of Super Villains, the 'Ambush Bug artist' being serious. It was all too much for me and is such a huge part of why I’m addicted to 1980s DC. The Steve Lightle stuff is CLASSIC as well, especially when the new Legionnaires were introduced. I could go on all day. Since Crisis, the Legion has a well-documented problem with continuity, suffering from so many re-boots, that it seems to have re-booted itself out of existence. Still, the smile (Saturn Girl?) and the ring have me feeling like its summer of 1985 again and I’m reading about Shrinking Violet and Micro Lad fighting.
5. Page 26, Panel 2
Blue Beetle is the 1980s to me. From his appearance in Crisis on Infinite Earths #2 as part of Monitor’s team, to the Paris Cullins illustrated ongoing series, to Nite Owl, to Justice League and the bro-mance with Booster Gold, Blue Beetle encapsulates so much of what made DC special to me. There was legacy, there was comedy, there was a "this might be me someday" quality to him, and there was a level of insecurity that I related to. Something about Blue Beetle always felt so familiar. It was how people may have felt about the Lee- Ditko Spiderman stories of the 60’s. The Spiderman similarity may have been on purpose, and it certainly spoke to me. Here we see the Bug and Ted Kord. Not 'shot in the head' Ted Kord, but 'I’m cleaning the Bug, ready to do something' Ted Kord. And his legacy Jaime Reyes is right there, and they are interacting. Thank you DC for bringing back Ted Kord. I know Dan Jurgens, JM Dematteis and Keith Giffen already have, but in this book it really brought it home for me. It wasn’t some alternate Universe, this was in THE Universe. Now about Vic Sage...
6. Page 29, Panel 4
Pandora, a character created as an overseer to the New 52, being blown up like Rorschach in Watchmen #12 (1987). Symbolically and figuratively ending a chapter of DC Comics. “Well what are you waiting for! The sales figures weren’t there! DO IT!!”
*Note* I don’t want to post a picture of it. Just don’t.
7. Page 44, Panel 4
Constantine and Swamp Thing bickering. Swamp Thing wanting to save Abby, Constantine taking the piss out of the situation. If you don’t own Swamp Thing’s American Gothic [The Saga of the Swamp Thing #37 - #50 (1985/1986)] in any format, please go out and buy it right now. RIGHT NOW.
8. Page 45, Panels 2-5
This is it. The most 80’s of 80’s panels. Kid Flash striking the classic Barry Allen Flash pose from Crisis on Infinite Earths #2. What was he telling Batman? Why did he look so weak? Why did he look so sad?! These ate me up when I was a kid, and this story captured those feels all over again.
In Rebirth, we follow the story of Wally wanting back into reality, but realizing he has no place. Wally West, who struggled being a super hero in Marv Wolfman and George Perez’s New Teen Titans. Wally West, who bravely took on the Flash mantle after Barry Allen had died. Who starred in an amazing Mike Baron and Jackson Guice series right after Legends. Wally West, who was everyone’s Flash from 1986 until 2006. Here he is, trying to make sense of what is going on, trying to find a place in this Universe. This is an allegory to the love of the 80s and legacy that was lost with the New 52. This is DC’s Legacy reaching out it’s hand and asking “Is there a place for me?” YES THERE IS DC LEGACY. I am all about it being back.
9. Page 61 (BTW. PAGE 61!?!?!?! This book was only 3$???)
Batman pulling out the smiley face with human bean juice on it.
10. The entire epilogue.
It’s all Watchmen stuff. Now I’m one who thought DC shouldn’t touch Watchmen ever. The only time I thought it was appropriate was when Dennis O'Neil used Rorschach in a Question dream sequence, because Rorschach was based on Question and Dennis O'Neil is allowed to do anything he wants. The movie, although I enjoyed it, killed some of the magic. As did the Before Watchmen series. They were all very good, it just lacked the magic of Watchmen. And I do mean magic because Alan Moore is a magician and it’s nutty, but I think he put something cosmic into his comic books. Whatever, you don't have to believe me, look it up. With all that said, 30 years is enough time to keep them out of the Multiverse. 30 years is a lonnnggg time. The characters exist, and honestly, I trust Geoff Johns with the DC Universe more than I would trust myself. Hopefully it’s done right, at least for now...
You can buy Rebirth anywhere you would buy comics, and I SERIOUSLY recommend it if you love DC comics from the 1980s. Thanks and see you soon!
-Mark Belkin
DC in the 80s was lucky enough to hear New President of DC Entertainment, Geoff Johns, speak at 2016’s San Diego Comic Con. He expressed that Rebirth was his temporary swan song to DC comics, for the moment, because of his recent promotion with Warner Brothers. The new position will have him writing and collaborating on all DC movie and TV projects going forward. An incredible gain to the entertainment side, but a loss to the comics side. The panel itself was called "DC Rebirth Secrets" , but nothing too secret was revealed. Geoff did speak about his collaborations with writers and artists on Rebirth titles. He would sit with the creators, and try to figure out what makes these characters great. What has made these characters survive for so long? What do the fans love about them? What was lost in the New 52 reboot that needs to return? He talked about getting to the essence of these characters and challenging the creators at DC to put out stories with lasting power. At least that’s what I got out of it. I may be paraphrasing.
The reason DC in the 80s is so interested in Rebirth is because of how many strong 1980’s DC elements were incorporated into Rebirth. DC’s strength is legacy, the constant recreations, the rich history of each character, and the classic stories told through multiverses. Rebirth #1 was chock full of those strengths.
Here are my personal top ten.
1. Page 1, Panel 1.
The face on the watch, the familiar lettering, and a story about a watch being given to a young person. For those of us who grew up reading comics in the 1980s, or loved reading comics from that era, it’s a powerful combination of images. Yeah, yeah I get it, don’t touch the characters, I’ll address that later.
We know it’s meant as a throwback to Dr. Manhattan talking about his Father. We know how Alan Moore used the clock in his storytelling, and if you were a real Watchmen nerd, you know the plot device Moore used with the clock to create a cyclical story. All in all, the story turned back the clock in many ways, and also had the feel of moving time forward. And no one stepped on the watch.
![]() |
| "The air grows too warm, too quickly." |
2. Page 4, Panel 3.
The three Jokers. The middle Joker top is from The Killing Joke. The Joker on the left is the Bob Kane/Jerry Robinson Joker who is the original 1940s version. In the 40s and 60s, people who read comics or watched the TV show knew the Joker. By 1989, there were few people who were in touch with modern culture who did not know who the Joker was. Between The Killing Joke, Jack Nicholson and Death in the Family, Joker was elevated to 'mythical status'. When people went to the comic book store in 1989 looking for a story, how many were pointed to The Killing Joke? I know they just did a controversial cartoon version, but that iconic Hawaiian shirt and straw hat is still as 80s as you get.
![]() |
| Taking pictures of Babs is still as creepy as it gets. |
3. Page 13, Panel 1
Crisis on Infinite Earths #2 (1985) is what got me into comic books. From the moment I saw Anthro looking at the Legion of Super Heroes world, my mind exploded. "DC Comics has cavemen and is in the future?" That was it, the concept of many times, and the multiverse, made me fall in love with the cannon. It seemed so large, so much more than just the Super Friends. Yeah they killed the Infinite Earths JUST as I got into it, but it didn’t make me love the multiverse concept ANY LESS. This panel is a call back to when Wally West took on the Flash name after Barry Allen had sacrificed his life. It’s a complete throwback to a George Perez and Jerry Ordway panel, and EVERYONE knows, those two are some of the best to ever draw comics, in any Universe.
![]() |
| Jay Garrick all proud of the third generation legacy character. |
4.Page 20, Panel 5
I can’t speak to the Legion rings from the 70’s, but the ring here speaks to me of the Legion of Super Hero rings from the 1980s. Paul Levitz’s run on LoSH is one of the most amazingly underrated runs on a comic book EVER. And whenever Keith Giffen worked on it, well that’s some of my favorite work of all time. I think I read the "prestige format" Legion of Super-Heroes #1 [1984] ten times in a row. The shadows, the Legion of Super Villains, the 'Ambush Bug artist' being serious. It was all too much for me and is such a huge part of why I’m addicted to 1980s DC. The Steve Lightle stuff is CLASSIC as well, especially when the new Legionnaires were introduced. I could go on all day. Since Crisis, the Legion has a well-documented problem with continuity, suffering from so many re-boots, that it seems to have re-booted itself out of existence. Still, the smile (Saturn Girl?) and the ring have me feeling like its summer of 1985 again and I’m reading about Shrinking Violet and Micro Lad fighting.
5. Page 26, Panel 2
Blue Beetle is the 1980s to me. From his appearance in Crisis on Infinite Earths #2 as part of Monitor’s team, to the Paris Cullins illustrated ongoing series, to Nite Owl, to Justice League and the bro-mance with Booster Gold, Blue Beetle encapsulates so much of what made DC special to me. There was legacy, there was comedy, there was a "this might be me someday" quality to him, and there was a level of insecurity that I related to. Something about Blue Beetle always felt so familiar. It was how people may have felt about the Lee- Ditko Spiderman stories of the 60’s. The Spiderman similarity may have been on purpose, and it certainly spoke to me. Here we see the Bug and Ted Kord. Not 'shot in the head' Ted Kord, but 'I’m cleaning the Bug, ready to do something' Ted Kord. And his legacy Jaime Reyes is right there, and they are interacting. Thank you DC for bringing back Ted Kord. I know Dan Jurgens, JM Dematteis and Keith Giffen already have, but in this book it really brought it home for me. It wasn’t some alternate Universe, this was in THE Universe. Now about Vic Sage...
![]() |
| Here DC, take my money. |
6. Page 29, Panel 4
Pandora, a character created as an overseer to the New 52, being blown up like Rorschach in Watchmen #12 (1987). Symbolically and figuratively ending a chapter of DC Comics. “Well what are you waiting for! The sales figures weren’t there! DO IT!!”
*Note* I don’t want to post a picture of it. Just don’t.
7. Page 44, Panel 4
Constantine and Swamp Thing bickering. Swamp Thing wanting to save Abby, Constantine taking the piss out of the situation. If you don’t own Swamp Thing’s American Gothic [The Saga of the Swamp Thing #37 - #50 (1985/1986)] in any format, please go out and buy it right now. RIGHT NOW.
8. Page 45, Panels 2-5
This is it. The most 80’s of 80’s panels. Kid Flash striking the classic Barry Allen Flash pose from Crisis on Infinite Earths #2. What was he telling Batman? Why did he look so weak? Why did he look so sad?! These ate me up when I was a kid, and this story captured those feels all over again.
In Rebirth, we follow the story of Wally wanting back into reality, but realizing he has no place. Wally West, who struggled being a super hero in Marv Wolfman and George Perez’s New Teen Titans. Wally West, who bravely took on the Flash mantle after Barry Allen had died. Who starred in an amazing Mike Baron and Jackson Guice series right after Legends. Wally West, who was everyone’s Flash from 1986 until 2006. Here he is, trying to make sense of what is going on, trying to find a place in this Universe. This is an allegory to the love of the 80s and legacy that was lost with the New 52. This is DC’s Legacy reaching out it’s hand and asking “Is there a place for me?” YES THERE IS DC LEGACY. I am all about it being back.
![]() |
| $$$$$$ |
9. Page 61 (BTW. PAGE 61!?!?!?! This book was only 3$???)
Batman pulling out the smiley face with human bean juice on it.
![]() |
| *BOW* |
10. The entire epilogue.
It’s all Watchmen stuff. Now I’m one who thought DC shouldn’t touch Watchmen ever. The only time I thought it was appropriate was when Dennis O'Neil used Rorschach in a Question dream sequence, because Rorschach was based on Question and Dennis O'Neil is allowed to do anything he wants. The movie, although I enjoyed it, killed some of the magic. As did the Before Watchmen series. They were all very good, it just lacked the magic of Watchmen. And I do mean magic because Alan Moore is a magician and it’s nutty, but I think he put something cosmic into his comic books. Whatever, you don't have to believe me, look it up. With all that said, 30 years is enough time to keep them out of the Multiverse. 30 years is a lonnnggg time. The characters exist, and honestly, I trust Geoff Johns with the DC Universe more than I would trust myself. Hopefully it’s done right, at least for now...
You can buy Rebirth anywhere you would buy comics, and I SERIOUSLY recommend it if you love DC comics from the 1980s. Thanks and see you soon!
-Mark Belkin
Monday, July 4, 2016
Leon Bain's custom DC action figures
Tired of patiently waiting for your favorite iteration of a specific DC character to be mass-produced as an action figure? You can send a stern e-mail to DC comics, or you can just do exactly what Leon Bain did - and create your own:
Leon's been modding/designing action figures for about 2 years now. He began by ordering custom figures overseas, but then decided to try customizing his own figures himself. It took many trials to get the 'right' paints. His wife bought him a Dremel to use on base figures and there was no stopping him after that.
Leon's action figure modding skills developed in response to a need to see action figures of his favorite DC characters.
"I wanted certain figures that probably will NEVER be mass-produced, so I got in contact with some overseas customizers and ordered through them", Leon explained to us. "However, doing it that way was becoming incredibly expensive, so I found online tutorials about customizing and started doing my own."
"I look for a base model figure that will suit the character I'm hoping to recreate. Quite often a Marvel character will turn into a DC one and vice versa. I have a number of Australian-based collectors/sellers that help me out wonderfully so - mainly with loose figures, sometimes even damaged ones I can fix."
"It's still only a hobby. I continue to learn something new with every new character."
"The Seven Soldiers of Victory and Uncle Sam and the Freedom Fighters are wonderful memories to me. Like anyone really, childhood memories create who you are. These titles and many other less favored were the ones that grabbed my interest and attention."
"I have a moderately sized comic book collection - 3 boxes full. I'm still searching for several missing issues of many titles just to say I have every one."
"All-Star Squadron from the late 70s/early 80s was a *must* for me because of the great characters and the interesting era the stories were taking place. More recently - although a few years old now - I thought The Lightning Saga was amazing."
"I think I was more attracted to the 'different' types of characters moreso than the actual stories. Wesley Dodds Sandman, Hourman, Dr Mid-Nite... these guys were just so different from your usual Superman, Batman, and Spider-man."
"The Minutemen, well, I really knew nothing about the Watchmen until the movie. I watched it and BANG, I was hooked. The flash-back scenes with the Minutemen were awesome - I'm a big fan of WWII-era heroes: the Invaders, Justice Society of America, Minutemen, and etc. These heroes would be dressed mainly in clothes that needed to be made from material from that time, compared to the skin-tight, body-hugging creations of the more modern era."
I only have vague memories of the Legion of Super-Heroes, but they were fond ones. I hadn't really thought about collecting them, but every so often one would come my way, so I thought I might give the 'other' members a try.
Bouncing Boy is a plastic screw together chocolate holder with spare parts attached. The idea came to me out of thin air.
Which of mods is Leon most proud of? "I guess I'm proud of the ones that people like and bring back wonderful childhood memories. Like I said earlier, some turn out great and others don't."
If you want to reach Leon Bain for a custom, you can find him on Facebook.
![]() |
| Seven Soldiers of Victory (left to right: Vigilante, Green Arrow, Star-Spangled Kid, Shining Knight, Stripesy, Crimson Avenger and Wing) |
Leon's been modding/designing action figures for about 2 years now. He began by ordering custom figures overseas, but then decided to try customizing his own figures himself. It took many trials to get the 'right' paints. His wife bought him a Dremel to use on base figures and there was no stopping him after that.
![]() |
| Fatal Five (left to right: Mano, Emerald Empress, Validus, Tharok, Persuader) |
Leon's action figure modding skills developed in response to a need to see action figures of his favorite DC characters.
"I wanted certain figures that probably will NEVER be mass-produced, so I got in contact with some overseas customizers and ordered through them", Leon explained to us. "However, doing it that way was becoming incredibly expensive, so I found online tutorials about customizing and started doing my own."
"I look for a base model figure that will suit the character I'm hoping to recreate. Quite often a Marvel character will turn into a DC one and vice versa. I have a number of Australian-based collectors/sellers that help me out wonderfully so - mainly with loose figures, sometimes even damaged ones I can fix."
"It's still only a hobby. I continue to learn something new with every new character."
![]() |
| Uncle Sam and the Freedom Fighters (too many to list) |
"The Seven Soldiers of Victory and Uncle Sam and the Freedom Fighters are wonderful memories to me. Like anyone really, childhood memories create who you are. These titles and many other less favored were the ones that grabbed my interest and attention."
"I have a moderately sized comic book collection - 3 boxes full. I'm still searching for several missing issues of many titles just to say I have every one."
"All-Star Squadron from the late 70s/early 80s was a *must* for me because of the great characters and the interesting era the stories were taking place. More recently - although a few years old now - I thought The Lightning Saga was amazing."
"I think I was more attracted to the 'different' types of characters moreso than the actual stories. Wesley Dodds Sandman, Hourman, Dr Mid-Nite... these guys were just so different from your usual Superman, Batman, and Spider-man."
![]() |
| Minutemen (left to right: The Silhouette, Mothman, Dollar Bill, Captain Metropolis, and the Hooded Justice) |
"The Minutemen, well, I really knew nothing about the Watchmen until the movie. I watched it and BANG, I was hooked. The flash-back scenes with the Minutemen were awesome - I'm a big fan of WWII-era heroes: the Invaders, Justice Society of America, Minutemen, and etc. These heroes would be dressed mainly in clothes that needed to be made from material from that time, compared to the skin-tight, body-hugging creations of the more modern era."
![]() |
| The Legion of Super-Heroes (too many to list) |
I only have vague memories of the Legion of Super-Heroes, but they were fond ones. I hadn't really thought about collecting them, but every so often one would come my way, so I thought I might give the 'other' members a try.
Bouncing Boy is a plastic screw together chocolate holder with spare parts attached. The idea came to me out of thin air.
Leon Bain's custom DC figs [Click to enlarge]
Which of mods is Leon most proud of? "I guess I'm proud of the ones that people like and bring back wonderful childhood memories. Like I said earlier, some turn out great and others don't."
If you want to reach Leon Bain for a custom, you can find him on Facebook.
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