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Showing posts with label Infinity Inc.. Show all posts
Showing posts with label Infinity Inc.. Show all posts

Friday, July 23, 2021

DC Vertigo: The Sandman trading card set from SkyBox (1994)

With daily updates of a Sandman series coming to Netflix, it seems very appropriate to write an article about The Sandman trading card set Skybox released in 1994 -- back when just about EVERYTHING comic-related was getting it's own trading card set. The Sandman was first published by DC comics in January 1989... so there's your 'DC in the 80s' connection.

 

Comic book ad for Skybox's The Sandman Trading Cards. 1994

I don't know why DC/Vertigo/Skybox decided to release a trading card set based on Neil Gaiman's The Sandman comic book series, considering they were most likely targeting a different audience with these cards. I DO know that The Sandman was already much revered at this point and it was nigh impossible to find early issues of this series for cheap. I was late to the party and only found out about the series after it was too expensive to buy the early issues. Who was reading The Sandman? Not your average comic book fan. Actually, I'm pretty sure that collectors who read Superman, Batman, Spider-Man and X-Men on the regular stayed miles away from the series. I like to imagine the typical Sandman reader being a college-aged goth, dressed head-to-toe in black, with a big collection of Anne Rice books and Siouxsie Sioux LPs. In actuality, I think it was just anyone who liked engrossing, well-written and beautifully illustrated stories.

Originally slated for a December 1993 release but pushed back to February 1994, Skybox did something a little different with this trading card set -- these cards were released as a premium, oversized card set (each card measuring 2.5" x 4.5") -- which meant that you had to buy special, irregular-sized cardholders and plastic sheets to properly protect them. Argh, what a pain. This format of oversized cards would come to by known as widevision. What was the reason for the 3 month delay? According to Wizard Magazine, Neil Gaiman autographed 2,000 cards that were randomly inserted into packs. [A later issue of Wizard then corrected that statement and explained that Skybox delayed the set because they didn't want to release it into an already overcrowded non-sports card market. Wizard also revealed that Gaiman had only signed 500 cards, and that they would be given away free to retailers who order a case of Sandman cards via Diamond Comics Distributors.] 

In all honesty, this is a trading card set I glazed over the first time it came around. I felt it was something that would only appeal to people who were already familiar with the comic book series. In 1994 I was still very invested in the comic speculator bubble, and probably spending my money on Valiant and Image comics. If I was buying trading cards, it was most likely X-Men or Batman or whatever the 'hot' thing at the moment was.

I can't confirm if this was the FIRST widevision trading card set Skybox produced. During this same year, Skybox released a few widevision trading card sets (i.e., Star Trek: Generations, The Lion King, Superman: Man of Steel Platinum series), and then Topps appeared to have followed suit by releasing Star Wars widevision trading cards. I'm going by memory here, and I might be wrong -- if anyone who worked at Topps during that era wants to correct me in the comments section, I'd welcome it.


A sealed pack of The Sandman Trading Cards looked like this. They contained six cards per pack and retailed between $1.75 to $2.25 USD. 
Photo source: ebay.


This base set consisted of 90 UV-coated oversized cards, and the inserts were 7 gold foil cards and 1 very very rare 3-D stereo hologram card. You could also purchase a binder that included a promo card:

The Sandman Trading Cards binder. Photo source: ebay

  
Promo card


The 90 card base set is divided into two subsets. The first subset contains 50 cards showcasing cover art from the first 50 issues of The Sandman. Dave McKean's art played a very important part in defining the look of The Sandman -- his covers for this series were often surreal and abstract (usually collages comprised of photographs, paint and ink) with subjects that were out-of-focus and sinister-looking. Upon first glance, his covers made you realize that this won't be a superhero story with muscle-bound characters fighting to save the world, this will be something artistic (and possibly haunting) that will probably involve a lot of reading. I love this subset. This might be the closest we'll ever get to a Dave McKean trading card set.

A few McKean cards:







...and the reverse of the first 50 cards had a summary of the issue:





The second subset consists of 39 characters that appear in the series. Each card was illustrated by the original artist -- so that's 39 cards of original art. Mike Kaluta, Matt Wagner, Colleen Doran, Kevin Nolan, Jill Thompson, Malcolm Jones III, Mike Allred, Denys Cowan, Craig Hamilton, John Totleben, Michael Zulli and a few more I'm forgetting to name -- but pretty much everyone who worked on the first 50 issues of The Sandman have a hand in this. For some reason, Sergio Aragones (Groo, MAD magazine) even illustrated a card:




As far as character selection goes, they pretty much cover all the important players from Master of Dreams, Dream Country, A Season of Mists, A Game of You, Distant Mirrors, Convergences and Brief Lives. This set was released just as The Kindly Ones story arc was kicking off, but I was pleasantly surprised to see they were included as 'the Three Witches'. They even managed to slip in a few mainstream DCU characters that appeared in some of the major storylines:





The back of these cards contained a brief explanation of the character and the role they played in the series (probably written by Neil himself). I love that the artists are listed on the reverse of the card. Too many times have I played the 'guess who illustrated this trading card' game only to end up with no clue if I'm right or not. This is my biggest issue with this set: a small black typeface on a pink and grey camo background. I don't think it bothered me so much twenty years ago, but now I have to either strain, or hold the card really close to my face to read it:




One would presume that the most important/memorable characters from The Sandman would be included in the base set. You'd be wrong -- they were the chase cards. The chase set consisted of all seven members (including Morpheus) of the Endless. These cards are beautiful and were distributed at a ratio of 1 in every 18 packs. Each card was original art with gold foil borders. Artists included Dave McKean, Kent Williams, Jill Thompson and Bill Sienkewicz.



Which leads us to the 3-D Stereo Hologram card, found in 1 of every 180 packs. I'm a sucker for 3-D and hologram cards, and I've never seen this in person. Thanks to a kind soul on e-bay for posting this pic so I could see what I was missing:

Yup. It's Morpheus, but this image does do this hologram card justice. If you ever get the chance to see one of these in real life, take the chance. So worth it.

To raise awareness about the release of this trading card set, various promo cards were inserted into issues of Cards Illustrated magazine. Three promo cards were included in a pack, and three different packs were released (so, that's 9 promo cards in total). All of the promos re-used card art from the base set, but the reverse of the cards sang the praises of this new set rather than give issue/character summaries.  

I seem to recall two 'misprint' error cards die-hard collectors were searching for to complete their collections. The back of the card looked as it should, but the front of the card had another character card's reverse text printed on the front. Once upon a time, these cards were worth quite a bit. Now? I doubt it.

How did this card set do? According to Wizard Magazine (Wizard #35, August 1994) it sold extremely well. Retailers underestimated how well this set would do an underordered, driving the demand and rarity up. 

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To summarize: The Sandman is a fantastic series that I tend to dig out of storage every few years and read from beginning to end. These cards bring back a lot of great memories and I really dig looking at those Dave McKean covers. As previously stated, the small font with colors that blend into the background on the character cards is a bit of a turn-off -- but it's something I can live with since I spend most of my time admiring the card art on the front anyways.



 

Monday, July 2, 2018

Celebrating the Force of July

I was looking around for something to post in celebration of Independence Day 2018 and was shocked to discover that a post about the ill-fated Force of July wasn't easy to find. Hence, here's our write-up.

Created by Mike Barr and Jim Aparo, the Force of July first appear in 1984's Batman and the Outsiders Annual #1.

Batman and the Outsiders Annual #1 (1984) -- cover pencilled by Frank Miller, inked by Jim Aparo

The cover of this issue is noteworthy since:

a) Frank Miller penciled it (and it would appear Jim Aparo inked it),
b) the "It's 1984: Do you know where your FREEDOMS are?" call-out is a reference to George Orwell's Nineteen Eighty-Four (which was also adapted as a film in the UK that year) AND popular American television Public Service Announcement "It's 10PM. Do you know where your children are?", and
c) Batman is nowhere to be found on this cover (which is odd considering his name is in the title of the book).


For the sake of keeping this article relatively short, I'm NOT going to give you a play-by-play of what happens in this issue. All you really need to know is that a new super-team (sponsored by an ultra-patriotic US politician, naturally) is introduced as new antagonists for the Outsiders. Seeing as how this issue was an Annual -- and thus needed to resolve within 48 pages -- the Outsiders go toe-to-toe with the Force of July, get defeated and captured, but manage to rally at the last minute and thwart a dastardly scheme and save the day. The story ends in an ambiguous way and the reader is left wondering if the Force of July survives at the end. Spoiler: they do.

The roster included (from left to right): Mayflower, Major Liberty, Sparkler, Silent Majority, and Lady Liberty. [That's Metamorpho lying face-down on the ground between Major Victory and Sparkler.]
 panel from Batman and The Outsiders Annual #1 (1984) - pencils by Jerome Moore, inks by Jim Aparo

While this particular story (written AND edited by Mike Barr) was somewhat clichéd and will probably never make anyone's 'Best Of' list, it was admittedly exciting to get a NEW team of characters for the Outsiders to battle. The series was still within its first year of publication and slowly building its own distinct rogues gallery (Masters of Disaster, anyone?) -- so this was good. A team of super-characters privately sponsored by the government is an idea as old as time itself, so we weren't really moving into new territory here. Regardless, the Force of July made formidable adversaries and had an interesting patriotic-themed gimmick, so this was a really cool concept to a 10 year-old me. [Just to be clear, I wasn't a 10 year-old when this Annual came out -- I was a 10 year-old when I started collecting and reading Batman and The Outsiders back issues.]


The next time we saw the Force of July was nearly a year later in The Outsiders v1 #2. The Outsiders v1 (aka Baxter Trade format) was a pretty exciting time for Outsiders fans -- we were treated to a glossier paper stock and back-up features spotlighting individual Outsiders members.

As a direct consequence of Batman and The Outsiders Annual #1, we find the Force of July punching their way out of a mountain. They are now part of a plot involving the Bad Samaritan and Gobrachev.

panel from The Outsiders v1 #3 (1985) - illustrated by Jim Aparo

By this point, the Force of July have been relegated to c-list villains and are easily dispatched by the new and improved Outsiders (Looker is now on the team).

They next appeared in 1987's The Outsiders Special #1. The Outsiders Special #1 was followed by 1987's Infinity Inc. Special #1 (released that same month) -- it was a cross-over. You were able to join the two covers to create a REALLY big battle scene between The Outsiders, Infinity Inc., the Force of July, and Psycho Pirate.

Covers to The Outsiders Special #1 and Infinity Inc. Special #1 (1987). Art by Eduardo Barreto

The cross-over ends with the Force of July deciding to withdraw from the battle because it was going to turn into an international incident on foreign soil.

They redeem themselves in The Outsiders v1 #23 (1987) when they team up with The People's Heroes to defeat a Russian menace known as 'Fusion'. This entire issue was staged as a flashback that occurred between 1986's The Outsiders v1 #13 and The Outsiders v1 Annual #1.  This is a particularly charming issue since The People's Heroes are ANOTHER patriotic-themed team of super-powered characters ALSO created by Mike Barr and Jim Aparo -- and it's pretty amusing to see the two teams (who are essentially American and Russian counterparts of each other) interact.

panel from The Outsiders v1 #23 (1987). Illustrated by David Ross and Bob Smith.

By the end of this issue, it was starting to seem plausible that the Force of July could actually be a team of government-sponsored super-heroes with a conscious who actually do good for the DC Universe (rather than a 'puppet' super-hero team controlled by the U.S. government).

The Force of July would last be seen together -- as a unit -- in the pages of John Ostrander & Kim Yales' Suicide Squad v1 #27.

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I'm not sure how detailed I want this article to be, but it would be kind of a shame if I didn't explain who was who, and what their powers were. Aside from Major Victory, nobody on this team had a Who's Who listing, so I'm just going to by what's been revealed in the comics.


Major Victory:

He led the team and wore an enhanced suit that gave him super-strength, super-endurance and the ability to fly. Most notably, he was a die-hard American patriot who did what he did for America. There wasn't really much more to him than that. He was arguably the most boring of the bunch.

panels from The Outsiders Special #1 (1987) - pencilled by Chuck Patton and inked by Bob Smith


Lady Liberty:

She appeared to have the ability to fly and the power to shoot energy beams. What kind of energy? I'm not sure -- they left it kind of vague. Whatever it was, it could be used to disintegrate things, levitate and move people/objects (like a tractor beam) or create thick smoke. I get the feeling her powers could do whatever the writer needed them to do in order to suit the story. In the spirit of the Statue of Liberty (which was a gift to the United States from the people of France), she spoke with a French accent. It is also revealed that she was originally from France.

panels from The Outsiders Special #1 (1987) - pencilled by Chuck Patton and inked by Bob Smith


Mayflower:

She's the group's botanokinetic (aka: ability to control plants with her mind). Her powers vary from making vines raise from the ground (to entangle someone) to having fully-grown redwoods sprout from the ground (to crush someone). A dialogue with Geo-Force gave a bit of insight into her origin -- she was originally from England and shunned for being a "freak", and she somehow found her way to the United States and was recruited to join the Force. I imagine she spoke with an English cockney accent. Her codename is based on the English ship that transported the first batch of Pilgrims to North America in 1620 -- hence her 'thematic' costume.

panels from The Outsiders Special #1 (1987) - pencilled by Chuck Patton and inked by Bob Smith


Silent Majority:

He didn't talk very much and had the power to create duplicates of himself at will. It would appear that injuring him also allowed him to create duplicates of himself. Each of his duplicates were an exact replica of him and had his proportional strength. It didn't seem like the duplicates had independent thought. He was like a DC version of X-Factor's Multiple Man (of Marvel Comics) if Multiple Man was less chatty and his duplicates all had a hive-mind. 'Silent Majority' was actually a term popularized by 37th U.S. President, Richard Nixon, to describe an 'unspecified large group of people in a country who do not express their opinions publicly'.

 panels from Batman and The Outsiders Annual #1 (1984) - pencils by Jerome Moore, inks by Jim Aparo


Sparkler:

This bratty-looking kid had the power to fly and shoot fireworks. He also had the power to turn himself into a living firework -- but we never saw this ability again after his first appearance. A 'Sparkler' is another name for a hand-held firework that burns slowly and shoots sparks everywhere.

panels from Batman and The Outsiders Annual #1 (1984) - pencils by Jerome Moore, inks by Jim Aparo


Abraham Lincoln Carlyle:

He was a later addition to the team and first appeared in 1987's The Outsiders Special #1. Other than being an early example of an Uncle Sam cosplayer, Abraham's only ability was that he was rich and really REALLY wanted to be president of the United States. At some point he manages to get a hold of Psycho Pirate's Medusa Mask, and that becomes his power.

panels from Suicide Squad v1 #27 (1989). Art by John Snyder and Pablo Marcos.

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So, what became of this interesting crew of super-powered patriots? Well... with the exception of Major Victory... they all got killed off when they fought against the Suicide Squad during 1989's Janus Directive cross-over event. (which will make a great article for another time. wink wink)

Suicide Squad v1 #27 (1989). Cover art by Karl Kessel


Following the Janus Directive cross-over, Major Victory got absorbed into the Suicide Squad and fought alongside them for about 2 years before parting ways. Ultimately, he became a casualty of Eclipso's vengeance and bit the dust in Eclipso v1 #13 (1993).

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As far as fan reaction was concerned, the most surprising thing about the death of the Force of July was that it DIDN'T happen in an issue written by Mike Barr. By 1989, when the Janus Directive cross-over event was published, Barr was still working with DC Comics -- so I'm not entirely sure how this one slipped through the cracks.

While I never read any real criticism or praise about the Force of July in the letter columns of Batman and the Outsiders' issues, quite a few readers did chime in after the death of the team. One reader wrote in to comment that they were thankfully to Ostrander "for ridding DC of more deadwood by having the Squad kick the tar of the Force of July. They were growing awfully lame."

Another reader, Charles D. Brown of Brentwood, NY, theorized that the creation of the Force of July was Mike Barr's "way of sticking it to right-wingers and to express his own opinion that 'government-approved' super-heroes will never be as good as the real thing because the very fact that they do work for the government doesn't allow them to have as much of a conscience and a free will as 'outside' heroes. And after seeing Force of July, Checkmate, Suicide Squad and all other tearing at each other over false tips, barely visible sources, or just because somebody with a security pass says so -- you know Barr was right."  He also added that Abraham Lincoln Carlyle won't be missed, and that Sparkler was pretty annoying. (What can we say, Charles? Every team needs it's 'Cousin Oliver/Danny Chase'.)

Every reader who wrote in had no problem with the Force of July getting killed off and even applauded it, but always concluded with "...but you could've at least kept [insert name here] alive. They had a really cool power and would've been great on the Suicide Squad."

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...and this concludes our article on the Force of July. Hopefully, you are now armed with new knowledge and know what's going on every time someone out there makes a 'Force of July' joke. (probably not very often)

Happy Fourth of July and God Bless America!

-Justin

Thursday, April 7, 2016

The photo-realistic digital art of Raymund Lee


Raymund Lee is a digital comic book colorist by trade. Equipped with a Bachelor of Fine Arts and a Major in Advertising, he's been coloring comics for more than 15 years. He's worked on Avalon Studios' Stone and The Wicked, as well as various Marvel Comics projects (Wolverine, The Uncanny X-Men, Peter Parker: Spider-Man Annual, Iron Man Annual).  

Lee's work is ALL digital - he taught himself to use Adobe Photoshop to secure his first coloring job. 





How long does it take Lee to complete a piece? That varies. He explains that usually he's a 'quick draw', but to get the details and the whole image to pop out, it takes longer - maybe, 2-3 days. He also works on other stuff in-between pieces. He creates textures to make it look more organic.



How does Lee decide which characters to paint? He explains that the inspiration just 'strikes him' sometimes. He does layouts and sketches first (and then finalizes the process digitally). He also uses his friends and family as references (taking photos of them posing in their best hero impersonations).

When asked about Lee's tendency towards portraits, he replied: "I feel I could put in as much of a story as I can in a portrait. I like my work to tell a story. It's up to the viewers what that story is."



On the topic of him being a big fan of Infinity Inc. and All-Star Squadron, Lee explains "I was a fan of everyone who's a who's who in comics! Yes, I grew up with these characters. The Squadron wouldn't be without Roy Thomas. Ultra-Humanite...As a kid I always drew superheroes. Always. I didn't really care what comic book company a character is from. I'd do crossovers and color them with markers or crayons."





Lee's favorite DC comics from the 80s? "Legion of Superheroes, All-Star Squadron, Batman, Justice League of America, Batman & The Outsiders, Teen Titans, and Superman are some of the titles I remember reading. I still read Batman, Justice League, Teen Titans and The Flash. The best characters and the best artists that inspired me were from the 80's. That's probably the time I realized that I wanted to be a comic book artist."

"My first comic book was given to me by my dad. It was The Flash versus Mirror Master doubled with Dr. Fate at the back. I can't remember what issue it was exactly. Art was by the great Carmine Infantino. It's all torn up now and the cover is missing from me reading and re-reading it. Dr. Fate amazed me because he cast spells. He wore an enchanted helmet, he was able to get to where The Flash was going and he was Justice League."

"Phantom Stranger, The Spectre, Deadman, Etrigan and the others had their own flavors and it was unique. I was so happy when the mystical characters held their own in Crisis on Infinite Earths. Vertigo is where you'll find some of the best comic book stories to date."

Check out the rest of Lee's work on his deviantart online gallery. You can e-mail Raymund Lee for commission work or to buy one of his prints.



Raymund Lee's re-imagining of the cover to Infinity Inc. v1  #36 (1987):



...and a parting shot of the Silver Age Doom Patrol (just because I love this team):