Interviews Reviews Guest Stars Fanzine Misc
Showing posts with label Jack C. Harris. Show all posts
Showing posts with label Jack C. Harris. Show all posts

Thursday, September 22, 2016

DC in the 80s interviews Jack C. Harris

October 2016 is going to be an exciting month for Adam Strange. Not only is he appearing in DC's new Hawkman and Adam Strange: Out of Time mini-series, but DC has collected his Silver Age adventures in an Adam Strange: The Silver Age v1 TPB, and has reprinted the (pre-New 52) Infinite Crisis Rann/Thanagar War TPB. We wrote a quick review of everything that happened to Adam Strange in the 80s and it piqued our curiosity — so we managed to catch up with the first writer to introduce the Rann/Thanagar War, Jack C. Harris, and ask him a few question about his love of Adam Strange, his run as editor on late 70s/early 80s Green Lantern v2, and his work on the late 70s/early 80s DC anthology books.

DC in the 80s: You seemed to have a love of Adam Strange and had a clear direction in mind of what you were doing with him (e.g., the late 70s Rann/Thanagar War, the Star Hunters stories that were never printed, and the Green Lantern v2 Adam Strange back-up features). What was your final vision for Adam Strange throughout the 80s, or did it end the way you planned it to?



Jack C. Harris: Adam Strange and Green Lantern were my two favorite comic book heroes. I loved science fiction and those two features were the most science fiction oriented heroes in the DC universe at the time. The original house ad advertising the Adam Strange issues of Showcase was what turned me on to the hero in the first place. I was intrigued by the image of a man leaping off a boat and being struck by a beam of light that transported him to another planet. Unfortunately, I missed those Showcase issues. I was thrilled beyond belief when I saw an Adam cover featured on Mystery In Space #53 (1959).



The comic was already one of my favorites (along with Strange Adventures), but after Adam became a regular, I never missed as issue. He became my all-time favorite when, in Mystery In Space #73 (1962), my letter on the letters page won me Carmine Infantino’s and Murphy Anderson’s original artwork to "The Multiple Menace Weapon", the double-length tale from Mystery In Space #72 (1961).




Of course, my love of the character followed me in my professional career as well. The very first comic book credit I received, 14 years later, happened after I helped writer Cary Bates research Adam Strange for the cross-over adventure in Justice League of America #120 (1975). I was listed as “Adam Strange Consultant” on the first page. Then, in 1978, I got the ultimate thrill by being given the opportunity to write my own Adam Strange adventure when he joined Hawkman in the three-issue Showcase run (#101-103) for the now-legendary Rann-Thanagar War! I had many other plans for the character too numerous to remember. I do recall, however, one epic tale involving a race of super-aliens from the future; a future so far ahead that there are no words to describe just how many years in the future they actually come from. They were the Zetans…and they have traveled back in time to find the being who founded their race — the offspring of Adam Strange and Alanna of Ranagar. In my tale, the Zeta Beam radiation had affected the DNA of their child so it, and all of its descendants had to the power to instantly teleport anywhere in the universe and later, through time! Too bad I never got to write that one!

DC80s: You were editing Green Lantern v2 when Marv Wolfman was writing and introduced the Gordanians and the Omega Men (among other sci-fi elements, including a revival of the Space Ranger). It felt like there was a definitive push to make Green Lantern more 'cosmic oriented' as opposed to the everyman adventures he was sharing with Green Arrow. Was that your doing as editor? Or was this something you and Wolfman sat down together to discuss? I'm imagining Space Ranger was another character you grew up reading...



Harris: I had left Green Lantern by the time the Omega Men came along (my last issue was #140). I always wanted as much science fiction in Green Lantern as possible, since I thought he was a “cosmic” hero. I loved what Denny O’Neil and Neal Adams had done with the socially aware Green Lantern/Green Arrow stories, but once Green Lantern was solo again, I wanted him more sci-fi. As for Space Ranger, one of the reasons he appeared in Green Lantern was that the copyright on the character was running out and we HAD to use him. I had mixed feelings about the character. I had read him from his beginnings in Showcase. Those early stories were co-written by Gardner Fox and I loved them. However, the series in Tales of the Unexpected never equaled the Showcase run, probably because Fox was no longer involved. The things that bothered me about the character were: no origin story, no clear idea of what his special abilities were, and contrived stories wherein his shape-shifting partner Cryll could become any creature the story needed. I wanted to have Space Ranger appear in a few stories where we could reveal his background.

DC80s: I'm a really big fan of anthology titles, and I remember some of my first comic books being an assortment of DC's House of Mystery and Gold Key's Ripley's Believe It or Not issues. As an editor of DC anthology titles in the late 70s/early 80s, what do you believe led to the decline of anthology books? Or was it just a decline in interest for Mystery/Suspense books in general?


Various Mystery/Suspense DC anthology titles edited by Jack C. Harris in the late 70s/early 80s


Harris: I really have no real answer to that. I can only guess. I would think it might have to do with the drive to company-wide continuity wherein stories and series all existed in the same overall universe. Readers seemed to want longer stories, with developed characters, something that was difficult to do in 6, 8 and 10-page anthology stories. I remember getting letters from fans wondering why the Martians in a science fiction anthology story didn’t look like the Martian Manhunter. The hero anthologies such as Superman Family were created because of economic concerns. It was more profitable to produce one larger book with Lois Lane, Supergirl and Jimmy Olsen stories than it was for each of them to have their own title at the time. Of course, that changed as the industry changed. In the end, anthologies were a product of their times.

DC80s: Is it safe to say that after the DC implosion, anything that was cancelled found it's way into other titles as back-up features? I'm thinking about how DC was charging 10 cents more for issues in 1980, but were including an 8-page back-up feature (ex: OMAC, Airwave, etc)

Harris: Most of the cancelled material appeared elsewhere. At that point, it was cheaper than commissioning new stuff.


DC80s: Thank you so much for your time, Mr. Harris. I look forward to talking to you again in the future.


-Justin


For your interest:

A really thorough and fantastic interview with Jack C. Harris and the Silver Age Sage, courtesy of the WTV-Zone:

Friday, August 12, 2016

Taking a look at The Ray six issue mini-series (1992)

This is another mini-series I overlooked the first time. I'm going to guess it's because it said "six-issue miniseries" right on the cover, and by that point in my young life I was already savvy enough to know that first issues in ongoing series' tend to climb in value (as opposed to first issues in miniseries'). Thanks, Wizard Magazine.

Mark Beachum cover

I was aware of the Ray when he first debuted, but I'm sure I merely brushed him off as just another clone of Marvel's Nova. I was a shameless fan of Marvel's New Warriors in the early 90s, and Nova was appearing a lot in that title. I didn't like Nova. I found him too dull of a character. Obviously, me dismissing the Ray was to my loss, because the title was picked up for an ongoing series in 1994 (which I didn't purchase). Coincidentally,  Marvel also released a Nova ongoing series in 1994, and I didn't pick that one up, either (gold foil variant cover be damned). The early 90s were a wild time in comics and it was so easy to get lost in a sea of "great" titles flooding the market, you really had to be choosy with the $10 or so you had in your pocket when visiting your local comic book shop.

The recent announcement that 1) the Ray will be appearing in a new CW Seed animated feature, and 2) he's being touted as CW Seed's "First Gay Superhero Lead", had my curiosity piqued about the character and suddenly made me want to dig out any back issues I owned (and then some) from his 1992 min-series. I don't remember the Ray being gay. And if he was, I totally blanked out on it.

Created by Lou Fine, the original Ray debuted in 1940 as a Quality Comics character in issue #14 of Smash Comics. During a hot air ballooning accident, Happy Terrill is simultaneously exposed to lightning and sunlight and gains super powers. Happy Terrill is most vividly remembered as a member of Uncle Sam's Freedom Fighters (who had their own 15 issue ongoing series in 1976 and then made sporadic appearances in Roy Thomas' All-Star Squadron during the early-to-mid 80s).

page from Smash Comics # 14 (1940). Property of Quality comics?
1940 origin of the The Ray (Happy Terrill)


The Ray mini-series from 1992 introduces a new character (it's his first appearance in comic book form), named Ray Terrill, who is the son of the original Ray. It's a really a well-written coming-of-age story in which the teen-aged Ray Terrill discovers that he, too, has powers. Edited by Jim Owsley (aka Christopher Priest) and written by Jack C. Harris, it's kind of difficult to determine who had more input into the story. In the letter column of issue #1, it is explained by Harris that the 1992 'Ray Revival' was heavily inspired by Harris' love of the Lou Fine version of the character (and the desire to revive the character for a new generation) as well as his time spent editing The Freedom Fighters ongoing title back in the mid-70s. In the same letter column, Jim Owsley explains that the new Ray (Ray Terrill) is based on an original concept of Owsley's called 'Avenger'. Avenger was an original character/story/concept that Owsley had brought with him to DC (presumably from Marvel), about a young man who inherits crazy super powers and needs guidance on how to use them. [Should probably be noted the Owsley edited Spider-Man for Marvel in the mid-80s. He'd have lots of experience overseeing a title about a young teenager suddenly gaining great power and responsibility.] So really, there's a bit of a discrepancy there. But why can't it be both? Owsley declares that it was Harris' idea to have the 'new' Ray be so heavily connected to the Golden Age Ray - so there's no question on who gets the credit for that.



The story is fast-paced and the art (Joe Quesada and Art Nichols) is really well done. [Joe Quesada was still relatively new to DC comics readers at this point in his career; prior to this he had illustrated a few issues of DC's Spelljammer and The Question Quarterly. Quesada's career would really take off after his work on 1992's Batman: Sword of Azrael mini-series.] There's plenty of mystery, intrigue, character development and humorous elements to keep the reader interested and wanting more. Dr. Polaris, a villain mainly associated with Green Lantern, is the lead antagonist of this mini-series and it feels 'natural' to the story. There's a bit of retconning to the origin of the 'Happy Terrill' Ray as well, but it's nothing too drastic and it doesn't tarnish the legacy of the original Golden Age character.

Humorous 'hip' dialogue courtesy of Jack C Harris

Sometimes, when a character is written as a gay character, the writer will make little subtle references without explicitly stating it but for whatever reason DC editorial will decide it may not be the best time for the character to 'come out' (due to political reasons or otherwise) and they will quickly re-write the character to cover up any hints that they are amorous towards the same sex. [I think we all secretly suspect that this is what really happened to Jericho in the New Teen Titans.] The Ray mini-series shows zero indication of this. As a matter of fact, throughout the series he's actively pursuing his childhood sweetheart - a female neighbor he grew up with.


Joe Quesada cover art

The Ray mini-series was kind of released as a 'soft launch'. More specifically, it was DC's first "un-advertised special" of 1992.  DC did not distribute any promotional flyers or posters to comic book shops advertising this mini-series - merely a few house ads scattered in random DC titles. Some retailers reported that this mini-series sold just as well as Batman and Detective Comics, and it sold out quickly because retailers ordered low numbers due to the relative obscurity of this title. This mini-series did ultimately lead to The Ray ongoing series in 1994, but with a much different creative team.


DC started to really amp up the hype around this character by having him appear in Justice League of America, The Adventures of Superman, Actions Comics, Bloodlines, Guy Gardner, Eclipso, and Justice League Quarterly in 1993. They even dedicated a card to him in their second Impel/SkyBox trading card set.

The Ray's 1993 SkyBox DC Cosmic Teams "rookie" card


If you get a chance to read this, either as single issues from a back issue bin or as the collected TPB (The Ray: In A Blaze of Power), I'd recommend that you pick it up as it's worth reading.  

Sunday, May 29, 2016

Know Your Suicide Squad: The Enchantress

The new Suicide Squad film is fast approaching and, well, I'm not even up-to-speed on the histories of all of the characters on the roster. This article is just as much for myself as it is for you, so hopefully you'll enjoy...

Know your Suicide Squad: The Enchantress


The Enchantress, created by Bob Haney and Howard Purcell, first debuted in 1966's Strange Adventures v1 #187. At this time in DC's publishing history, Strange Tales was a sci-fi/adventure anthology book that usually consisted of 3 or 4 features per issue. Like every other anthology, the features tended to last about 9 pages and were typically self-contained stories that a reader could pick up, read in one sitting and never think about again. Coincidentally, the stories tended to be one-shot tales featuring an 'everyman' character in an extraordinary circumstance (ex: Space Invasion) and how they dealt with it. The series tended to keep it's stories on "the fringe" and away from the mainstream DCU - so no stories featuring Superman, Batman, Wonder Woman, Green Lantern or the Flash in here. Interestingly, recurring heroic characters (ex: Animal Man, the Immortal Man) were being introduced to the series around the same time as Enchantress was introduced.




Coined as the 'Switcheroo-Witcheroo', the early Enchantress stories played up the 'sweetly innocent person gets extraordinary powers and leads a double life' trope. In fact, she begins her super-hero career actively trying to help her fellow man. Enchantress had the power to fly, phase through walls, enlarge things, heat things up and, on a whim, change identities from mild-mannered June Moone to the powerful Enchantress. Actually, it's not clear what her powers were - I think she just had whatever power she needed to fit the story at the time. She was a character in an anthology feature during the Silver Age of DC comics, so I don't think too much thought was put into her powers and limitations.

panels from Strange Adventures v1 #187 (1966). Property of DC comics.
Origin: powers by Dzamor

It's not until her third story (Strange Adventures v1 #200, 1967) that we start to see the cracks in her armor: apparently June Moone is jealous of her alter-ego, The Enchantress, since she seems to be getting the affection of Alan [June's love interest]. This is an interesting plot idea to expand on, but would have to be explored at a later time since the Enchantress wouldn't appear in another DC publication until almost 12 years later. Why was the Enchantress' super-hero career cut short? One would assume that like most anthology titles of that era, the only thing that really mattered were sales. Reader response was gauged by fan mail, and if a feature wasn't getting much fan mail and the sales numbers were low when that particular character appeared in an issue, well... that character didn't appear as frequently anymore. [Or, in the case of the Enchantress, nearly a dozen years later.]

...and that concludes the pre-80s portion on the history of the Enchantress, now onto our favorite subject matter - the Enchantress during the 80s:



Written by Jack C Harris and edited by Julius Schwartz, the Enchantress re-appears in Superman Family #204 - 205 (1980) to battle Supergirl. A quick back-and-forth dialogue between the two indicates that Supergirl has previously known of the Enchantress and her mystical powers, and Supergirl goes on to question the Enchantress about her "turnabout" from fighting against evil. After a quick origin recap (that remains more or less the same as the original), it's revealed that the battle was necessary in order for the Enchantress to obtain power for the 'greater good'. This was all misguided of course, and Supergirl thwarts her. The Enchantress swears revenge on Supergirl and a new Supergirl villain is born. But wait! There's more...




The Enchantress is the red head in the green gown on the cover of DCP #77, apparently someone messed up the coloring. She is corrected on the cover of DCP #78

DC Comics Presents issues #77 and #78 have the Enchantress and a few other revived Silver Age DC villains (aka: The Forgotten Villains) battling Superman and the Forgotten Heroes. Written by Marv Wolfman and edited by Julius Schwartz, the Enchantress is a lot nastier now and shows no reservations about reducing a fool to a protoplasmic state should they provoke her. (Animal Man also expresses surprise that the Enchantress is now a villain.) Along with the new attitude comes a new look: no longer a brunette wearing a green witch/sorceress costume, she's going for something more 'elegant':

panels from DC Presents v1 #77 (1985). Property of DC comics.


A few readers wrote in to DC Comics Presents to express their joy that the Enchantress was back in comics, but disappointment that she was now a villain.


It should probably be noted that, of the 80s issues we've just reviewed, the only published Enchantress stories during this era appeared in Julius Schwartz-edited titles. Why that means something: Superman and Supergirl during the Schwartz-era were pretty much God-like (in the aforementioned Supergirl/Enchantress story, Supergirl effortlessly kicks the moon out of alignment) and it was getting more and more difficult to find ways to endanger them for the sake of the story. Unless they were up against a magical-based villain. Superman and Supergirl's only weakness was magic. The Enchantress may have been converted to a villain moreso for convenience (versus having to create an original mystical villain from scratch). Did DC have any other potential plans for the Enchantress? Why, yes. Yes they did...

In an interview with Jack C. Harris, the DC Women Kicking Ass tumblr blog asked Harris about a pitch he and Trevor Von Eeden made to DC editorial about an all female team back sometime in the late 70s/early 80s. The team was to be called "The Power Squad" and would feature Supergirl, Batgirl, Vixen and the Enchantress. When asked why he'd chosen the Enchantress for the team, Harris replied with "Enchantress was a minor heroine whom I had used as a villain in a few of my Supergirl stories. I liked the mix. I liked the science-based powers of Supergirl and Batgirl, balanced with the supernatural origins of Enchantress and Vixen". You can read the full article here.


In her Who's Who entry (The Definitive Directory of the DC Universe #7, 1985), it's stated that June Moone and the Enchantress swap places when either says "The Enchantress" (similar to Captain Marvel/Billy Batson's "Shazam!"). The entry explains her change in appearance in the DC Presents issues as "the ability to change her own appearance (which she used to great advantage as leader of the Fogotten Villains)." It's also hinted that the Enchantress may have turned on the world after her encounter with Supergirl due to "some undiagnosed mental illness".

I'm going to glaze over her appearance in Crisis on Infinite Earths #12 (1986) - I had to look very hard for her, and it ended up just being a side-profile head-shot. If it makes you feel any better, she's back to being a brunette dressed as a witch again.


Now we've moved onto 1987's Legends - the mini-series best known for introducing us to Task Force X/Suicide Squad. Legends #3 gives us a full glimpse of the Enchantress (looking more fashionable than ever, I might add). At some point during team introductions Rick Flag nonchalantly mentions that the Enchantress joined the squad for *other* reasons (indicating that she's not a criminal who's trying to attain a reduced prison sentence). It is also stated in the Legends mini-series it that the Enchantress has 'complete mastery over all things inorganic',  and the reader is introduced to the idea that she's a little nuts and can 'snap' at any minute.

panels from Legends #3 (1987). Property of DC comics.


This leads us directly to the ongoing Suicide Squad v1 series (1987) written by John Ostrander. Why was the Enchantress chosen to be part of the team? Well, I don't know for certain, but I do know that editor Robert Greenberger (who previously worked on Who's Who and The DC Challenge) was combing through the DCU for lesser-known character to use in the book, Ostrander gave his opinions on Greenberger's picks, and the Suicide Squad cast was fleshed out from there. I'm not giving you the play-by-play of what happens in these Suicide Squad issues (since Jason Brown already does such a great job of it), but I will say that - as far as character development goes - Ostrander really gives the Enchantress a lot of attention during the first sixteen issues of this series. [A major sub-plot in the beginning of this book is the idea that the Enchantress is so crazy, powerful and uncontrollable that she might compromise the missions - ensuing some pretty disastrous contingency plans on the squad's behalf and adding more drama/tension to the already volatile Suicide Squad.]

panels from Suicide Squad v1 #8 (1987). Property of DC comics.




A few changes that Ostrander brings to the character: the idea that the Enchantress and June Moone are actually two separate personalities, both personas are aware of and hate the other one [it is revealed that June joins the Squad in hopes of finding a way to 'keep her evil self in check'], that June is co-dependent of her Enchantress persona, and that the Enchantress gets crazier/harder to control every time June summons her.

panels from Suicide Squad v1 #5 (1987). Property of DC comics.



About half-way through Ostrander's treatment of the character, she makes an appearance in The Spectre v2 #11 (1988). June Moone is summoned to meet with the rest of the DC mystical heavy-hitters, and at some point her Enchantress persona goes berserk and all of the other DC heroes need to rally together to stop her. I'm not sure what the point of her inclusion in this Millennium tie-in was - just to demonstrate how powerful she was? did DC have bigger plans for the Enchantress as a DC mystical character? At the time, both The Spectre v2 and Suicide Squad v1 were being edited by Robert Greenberger and sometimes a cigar is just a cigar.




Ostrander's concluded his "The-Enchantress-is-a-psychotic-time-bomb" sub-plot with a new insight into the character's origin. It was revealed in Suicide Squad v1 #15 (1988) that the Enchantress was meant to be a force for good in some grand battle plan in the 'Nightshade Dimension'- a merging of 'The Succubus' and a human host - but the overpowering evil nature of 'The Succubus' corrupted the human host (which goes to explain the Enchantress' turning to evil). There's also some relation with Nightshade and her brother (he's the 'The Incubus', btw), and the story arc ends with June Moone losing the Enchantress persona/powers and Nightshade somehow getting the Enchantress' powers as a result of all this. This all creates a major link between the Enchantress, Dhazmor, Nightshade and the 'Nightshade Dimension'. Nightshade was getting a revamped origin around this point in the DCU, so this all tied together nicely. If you've read this far into the article, I'm going to SPOIL the resolution of all this: June Moone, feeling the 'separation anxiety' of no longer having her Enchantress persona, tries to (unsuccessfully) shoot and kill Nightshade in the hope of getting her powers back.[Mouse over text to view]




It would be nearly another decade until the Enchantress would re-appear again - this time in 1999's Superman: The Man of Tomorrow #13. 1999 is a bit out of our domain of expertise [we'll go as far as 1993, maybe], so on that note we're going to leave you with a few links to a few other articles that may capture your attention: